Showing posts with label Port. Show all posts
Showing posts with label Port. Show all posts

Tuesday, 6 November 2012

Costco to sell fine wine in the UK


Costco’s director of wine buying Annette Alvarez-Peters may have caused controversy earlier this year when she slammed wine as “just a beverage” and “no different than toilet paper,” but the company – the world's largest wine retailer – is on a fine wine offensive in the UK. News has emerged this week, as reported on db.com, that Costco is branching out into the UK market, having launched a UK website, Costco.co.uk, selling high-end wines and spirits.

Open to both Costco members and non-members, the site, which went live last week, features a 131-strong wine and spirits range, including Champagne big guns Cristal, Krug and Dom Pérignon, and classed growth Bordeaux from the acclaimed 2009 vintage. Topping the offering is a bottle of Taylor’s Scion Tawny Port dating back to 1855 housed in a bespoke crystal decanter, which is on sale for £1,599.99.
 
Meanwhile, a single bottle of Château L’Eglise Clinet Pomerol 2009 is priced at £339.99, while the same vintage of “flying fifth” Château Pontet-Canet is going for under a third of the price at £99.99. At the value end, a bottle of Saint-Julien estate Gruaud Larose’s second wine, Sarget de Gruaud Larose 2009, is priced at £18.49, while Haut Médoc estate Château Senejac 2009 costs just £15.49.

Among the sprits on sale are Patrón Tequila, Ciroc Vodka, Johnnnie Walker Blue Label, Courvioiser Cognac and English Vodka brand Chase. Delivery is free, and Costo’s online customers will be treated to exclusive offers. It will be interesting to track how Costco.co.uk performs. The UK wine market is a crowded place, and in order to thrive, a merchant’s offering has to be both compelling and unique.

New York-based online merchant Lot18 is a recent casualty, closing its UK operation in July after just four months, blaming the supermarkets’ stranglehold on the UK market and a lack of anticipated growth for its exit. Is Costco.co.uk appealing enough to lure customers away from the might of the supermarkets, Majestic, and the increasing number of savvy online-only merchants entering the market? Only time will tell.

Monday, 30 January 2012

Sir Terence Conran: My Passion for Wine


Wine and the City spends an afternoon with the indefatigable author, designer and restaurateur behind the Habitat furniture chain and London restaurants Bluebird and Boundary, to chat about drinking Cahors with Nancy Cunard in the '50s, smoking Cuban cigars with David Hockney, and a road trip to Burgundy in Bill Baker's Land Rover.

When did your interest in wine begin?

I got into wine while working as a designer for John Harvey & Sons in Bristol – a breeding ground for some of the most influential people in the wine trade: Michael Broadbent, Harry Waugh – you name it. It was the most wonderful induction to the world of fine wine.

How did you develop your newfound passion?

I started drinking quality wine and began to understand the differences between vintages, châteaux and regions. I decided red and white Burgundy were my passions – they have an indefinable decadence about them. I was born in 1931, which was a terrible year for Bordeaux. As a result I’ve been given some disastrous presents. Michael Broadbent gave me a bottle of 1931 Haut-Brion, which was undrinkable vinegar. Luckily, it was a good year for Port.

Are you a Bordeaux or a Burgundy man?

As I get older, I understand the subtlety of wine more. I find Burgundy more French than Bordeaux. Bordeaux has been Americanised and is very concerned with money. Burgundy is more intellectual than Bordeaux. Old Burgundy has such fantastic, complex flavours. I’ve got two cellars under my house in Berkshire, one for white wine and one for red. They’re the perfect temperature and humidity for both wine and cigars.

I’ve heard you’re partial to the odd cigar…

Cigars are another passion – I smoke three Hoyo de Monterrey Epicure No2s a day. I often drink Chilean wine as I find it robust, full of flavour and well priced. I object to paying £500 for a bottle of wine. Being a war child I am still obsessed with value for money. I’ve tried Pétrus on very few occasions. It’s a beautiful wine, but I can’t drink it in a relaxed way.

Who do you like to share your prized bottles with?

My dear friend Bill Baker, who died three years ago, was the best person to drink wine with. I shared a huge number of bottles with him over the years, and bought most of my wine from him at Reid Wines – he was incredibly knowledgeable. He would drive me around Burgundy in his huge Land Rover, loading case after case at every vineyard we stopped off at. When I went on Eurostar with him, he’d bring a big basket full of wine, which we’d crack open during the journey.

Do you see wine as an investment or something to enjoy?

Both. I’m not an investor in wine, but I like the idea of it. If you’re going to invest in anything, then wine and art are the best things to spend your money on because you can enjoy your investment. I collect a lot of art. I buy my contemporaries – Hodgkin and Hockney. Hockney is a big wine lover – I’ve drunk vast quantities of wine and smoked many cigars with him. On a trip to Southern France in the early ’50s I went to stay in a converted barn belonging to English socialite and heiress Nancy Cunard (pictured), who counted Aldous Huxley and TS Eliot among her lovers. We drank Cahors late into the night until our teeth went black.

Article originally published in Decanter magazine

Friday, 3 June 2011

The Yeatman hotel


Ask anyone in the wine trade if they’ve been to the Douro Valley and their eyes tend to brighten. Among the cognoscenti, it regularly ranks as one of the most beautiful wine regions on the planet, and yet the rest of the world doesn’t seem to have caught on yet. This is soon set to change. Enter Adrian Bridge, the towering CEO of The Fladgate Partnership – owner of Taylor’s, Croft and Fonseca, who is on a one-man mission to turn the UNESCO World Heritage site Oporto into a destination city through his ambitious new hotel project, The Yeatman, which opened its polished doors last September to much fanfare.

The family-owned five-star hotel is named after the much-loved Port producer and personality Dick Yeatman (Bridge’s father-in-law’s uncle), and occupies a monstrous slab of land in quiet Vila Nova de Gaia, a hop across the bridge from Oporto proper. Set amid 2.6 hectares of landscaped gardens atop the city’s historic Port lodges, the hotel boasts magnificent views of the Douro River and city below, speckled with terracotta-roofed houses that shine like new pennies at night.

With the aim of regenerating Vila Nova de Gaia and giving wine tourism a big push, the project began in 2006, took 20 months to build and cost €35 million. Embarking on such an ambitious undertaking in the midst of a recession may seem misguided, but Bridge is adamant that it was the right decision to see the hotel through to fruition. “It seems like a mad thing to do during a recession but travel is the one thing people don’t cut. They may stay closer to home, but they never give it up altogether,” Bridge tells me over lunch at The Yeatman Restaurant on a grizzly Monday in March. It’s his birthday, but he’s taken time out from celebrating to meet with me and explain his aims for the hotel.

An outpost of the Roman Empire and home to Port shippers for over three centuries, Oporto is one of the oldest European centres and was historically a merchant city. Bridge believes that the continued consolidation of Port companies is leaving warehouses empty and freeing up space in the city for culture, tourism and gastronomy initiatives, with The Yeatman serving as Oporto’s flagship hotel. “I want to put Oporto on the map. I want the whole city to benefit from the hotel – a rising tide lifts all ships,” Bridge enthuses.

“The Yeatman was designed around the view,” Bridge continues. “It was very important to me that every room had a view. With such a stunning cityscape on our doorstep, I wanted to make the most of it.” And make the most of it he has – not only do each of the 82 rooms (ranging from €240-€780 a night), have a jaw-droppingly beautiful view and private balcony, but every bathroom, prettified with traditional Portuguese ceramic tiles, has shutters that open out into the bedroom and the view beyond. “We wanted the rooms to be light and bright,” Bridge tells me. “Light is incredibly important.”

The expansive presidential suite is very Bond-like, equipped with a copper bathtub and a round revolving bed operated by remote control. Another suite boasts burnt orange walls and a barrel-shaped bed with a mirrored ceiling. “I had some explaining to do when I showed some old ladies round last week,” jokes general manager Pedro Alvellos. Continuing with the quirky design theme, the outdoor infinity pool is shaped like a decanter. On my visit it was covered with a net to keep out the local seagulls that have taken to landing in it for a dip. “It’s a real problem,” admits Alvellos. “I don’t know how to keep them out.”

Most of the rooms, including the 12 suites, are sponsored by a wine partner and furnished accordingly with paraphernalia relating to the corresponding winery. “We have 65 wine partners from across Portugal, including Dow’s, Graham’s, Niepoort and Quinta do Noval,” explains Bridge. “I could have gone down the Taylor-Fladgate route, but I wanted to be an ambassador for all Ports and Portuguese wines, and for the hotel to show off what we as a region and a country can do.”

In “The Library” reading room (as well stocked with cigars as it is books), Yeatman Restaurant and Dick’s Bar, pastel colours abound, from mint green to powder blue – the set-up is straight from the pages of Country Homes & Interiors, minus the labradors. The hotel enjoys a diverse clientele, mainly from Portugal and the UK, but also from France, Spain, Germany, Scandinavia and America, with a sprinkling of Brazilians and Chinese. “We get the Spaniards at Easter, the French in August and the Brits throughout the summer,” says Bridge.

The Yeatman’s 25,000-bottle cellar stocks the world’s largest range of Portuguese wines. “We’re lucky because our wine partners sell us old and rare vintages,” says Bridge. “We’ve got nearly 1,000 wines on our list.” Winemaker dinners are held at the hotel every Thursday. Focusing on a different wine partner each week, they attract wine lovers from across the city, while a cookery school is in the pipeline.

Wine director Beatriz Machado has created three lists for the hotel: an affordable selection kept in Enomatic machines that changes weekly, a seasonal selection to pair with award-winning chef Ricardo Costa’s cuisine, and a top-end library selection. Costa is going great guns at The Yeatman restaurant, serving up traditional Portuguese ingredients reinterpreted for 2011. Presented with flair, Costa's cooking is exemplary, and will do much to raise the game of Portuguese fine dining, perhaps even putting it on the international map.

The accent is on fresh produce, with a large offering of locally caught fish. The tasting menu matches dishes to a selection of wines by the glass, and experiments with everything from duck foie gras and truffle mash to crayfish and apple, and a peanut butter, banana and toffee tart. The hotel also features a 10-room wine spa – Portugal’s first, based on the Caudalie Vinothérapie Spa at Château Smith Haut Lafitte in Bordeaux. This offers an array of treatments (from €65) such as barrel baths, pulp friction massages, Merlot wraps and Cabernet scrubs, along with a Roman bath, sauna, Turkish hammam and the rather meek sounding “tepidarium”.

The eco-conscious hotel uses solar panels and a reverse osmosis system to purify harvested rainwater, while the sprawling gardens are managed as a refuge for endangered local plant species and a haven for migratory birds – there are even plans for a butterfly greenhouse. Other al fresco features include a croquet lawn and lounge bar. Bridge is confident in his quest to send tourists home as Port lovers and to put Oporto firmly on the wine tourism map. “Oporto receives 700,000 visitors a year. My aim is to train them up and have them go away as ambassadors for both Port and the Douro region. We’ve been around for over 300 years and we aren’t about to leave. This isn’t about a self-serving short-term goal. This is for the long-term.”

Monday, 25 October 2010

William Curley interview

Wine and the City catches up with master chocolatier William Curley to get his opinions on wine and chocolate matching, and find out about his latest project: recreating classics like the Jaffa Cake and Bounty bar.