Showing posts with label Krug. Show all posts
Showing posts with label Krug. Show all posts

Tuesday, 6 November 2012

Costco to sell fine wine in the UK


Costco’s director of wine buying Annette Alvarez-Peters may have caused controversy earlier this year when she slammed wine as “just a beverage” and “no different than toilet paper,” but the company – the world's largest wine retailer – is on a fine wine offensive in the UK. News has emerged this week, as reported on db.com, that Costco is branching out into the UK market, having launched a UK website, Costco.co.uk, selling high-end wines and spirits.

Open to both Costco members and non-members, the site, which went live last week, features a 131-strong wine and spirits range, including Champagne big guns Cristal, Krug and Dom Pérignon, and classed growth Bordeaux from the acclaimed 2009 vintage. Topping the offering is a bottle of Taylor’s Scion Tawny Port dating back to 1855 housed in a bespoke crystal decanter, which is on sale for £1,599.99.
 
Meanwhile, a single bottle of Château L’Eglise Clinet Pomerol 2009 is priced at £339.99, while the same vintage of “flying fifth” Château Pontet-Canet is going for under a third of the price at £99.99. At the value end, a bottle of Saint-Julien estate Gruaud Larose’s second wine, Sarget de Gruaud Larose 2009, is priced at £18.49, while Haut Médoc estate Château Senejac 2009 costs just £15.49.

Among the sprits on sale are Patrón Tequila, Ciroc Vodka, Johnnnie Walker Blue Label, Courvioiser Cognac and English Vodka brand Chase. Delivery is free, and Costo’s online customers will be treated to exclusive offers. It will be interesting to track how Costco.co.uk performs. The UK wine market is a crowded place, and in order to thrive, a merchant’s offering has to be both compelling and unique.

New York-based online merchant Lot18 is a recent casualty, closing its UK operation in July after just four months, blaming the supermarkets’ stranglehold on the UK market and a lack of anticipated growth for its exit. Is Costco.co.uk appealing enough to lure customers away from the might of the supermarkets, Majestic, and the increasing number of savvy online-only merchants entering the market? Only time will tell.

Wednesday, 19 September 2012

Jay-Z and Beyonce toast Obama with Ace of Spades


In a move befitting for hip-hop royalty, dynamic duo Jay-Z and Beyonce hosted a $40,000-a-ticket fundraiser for Barack Obama last night featuring a 350-bottle Armand de Brignac Champagne tower, as reported on db.com. Designed by Jeffrey Beers, the bespoke tower, composed of 350 bottles of Armand de Brignac Brut Gold NV, took centre stage at the glitzy event at Jay-Z’s 40/40 Club in New York.

“Floor-to-ceiling gold bottles fill the entire space. It’s beautiful, breathtaking. It’s the first thing you see when you walk in,” a spokesperson for the club told The New York Post. According to The New York Times, Obama kicked off the intimate dinner for 100 guests by thanking Beyonce and Jay-Z for their friendship. He went on to say that he felt a sense of kinship with Jay-Z because, “we both have daughters and our wives are more popular than we are.”

Beyonce’s speech was short and sweet: “I can’t tell you how proud we are to host tonight’s event with President Obama. We believe in his vision,” she said as she introduced the US president. The White House, which meticulously controls Obama’s image, is not expected to release any photos from the dinner. Before the event, Obama made an appearance on the Late Show with David Letterman.

Jay-Z’s relationship with Armand de Brignac, produced by Champagne Cattier, stretches back to the Champagne’s launch in 2006, when bottles of it appeared in his music video for the single Show Me What You Got.

The fizz, a favourite of rappers such as Kanye West and Drake, is facing a false-advertising lawsuit from Krug and Dom Pérignon owners LVMH over claims that it is “rated the number one Champagne in the world,” which LVMH believes is “intentionally misleading consumers.”

Monday, 6 February 2012

LVMH profit boosted by wine and spirits

The world's largest luxury goods group, LVMH, reported a 1% rise in 2011 net profit this week, as the company continues to show strong growth in its wine and spirits division, despite economic uncertainty in Europe. As reported on the drinks business, the group’s net profit topped €3 billion as sales jumped 16% last year, driven mainly by spending in Asia. "I'm going to be a bit repetitive because 2011 was an excellent year like 2010, and like I hope 2012 will be," said chief executive Bernard Arnault.

"After an exceptional 2011, LVMH is well-equipped to continue its growth momentum across all divisions in 2012. Its strategy will remain focused on developing brands through strong innovation, quality and expansion in high potential markets," he added. The French group’s portfolio includes Champagne brands Dom Pérignon, Krug, Veuve Clicquot and Moët & Chandon, Château d’Yquem in Sauternes, and Château Cheval Blanc in St Emilion. It also owns Glenmorangie and Ardbeg whiskies, and Belvedere vodka.

LVMH's robust performance sets high expectations for the luxury goods industry. "It's somewhat of a paradox to say that 2011 was a year of global prosperity, but we are lucky to export most of our products," Arnault said. The company’s latest figures show that the European debt crisis hasn't triggered a slowdown in the US. In the fourth quarter, sales in Europe rose 3%, but the strongest growth came from the US and Asia, excluding Japan.

Arnault doesn't see an end to LVMH's good fortune. "Barring a major accident and despite the difficulties in Europe, the world economy is growing and the world wants more and more of our products," he said. The company’s fashion division, which includes brands such as Louis Vuitton, Bulgari and Dior, also showed strong growth.

Saturday, 8 May 2010

Champagne tasting at Leiths


What better way to celebrate election night than with Champagne. After work I hoofed it to the Leiths School of Food and Wine in Stamford Brook for a Champagne tasting hosted by fizz expert Richard Bampfield MW.

Six wines were on show, opening with Laurent Perrier Brut NV, paired with smoked salmon bagels. Bampfield was full of historical nuggets about Champagne – 90% of Champagne produced is non vintage and traditionally most wines made in the region were red and used for mass.

Bampfield went on to explain the different styles, from the bone dry ultra brut (a notch drier than extra brut), to the slightly sweet demi-sec. We tried a non vintage premier cru extra brut from unsung producer Larmandier-Bernier, which I found slightly austere and severe. It even tasted dry, with bitter lemon and sour apple on the palate.

Moving swiftly on, we compared a blancs de blanc – Legras Blanc de Blancs Grand Cru, Chouilly NV with a blancs de noir: Bollinger Special Cuvée Brut NV. It was interesting thinking of the two Champagnes in terms of their grape varieties, and trying to spot their differences. The Chardonnay-fuelled Legras was lighter and more feminine than the Pinot-dominant Bolly, with a fragrant nose of lemon meringue.

The Bollinger was immediately striking for its golden colour and powerful nose of alluring autolytic notes: buttered toast, brioche and biscuit. Bollinger is my favourite Champagne - I adore its distinctively rich character. The hallmark of good Champagne is that you don't notice the fizz, which is true of Bollinger and other greats like Krug and Dom Pérignon; they feel more like still wines than Champagnes.

Interestingly, Bampfield pointed out that in blind tastings it's virtually impossible to pick out individual Champagne houses, except for Bollinger, which has a signature style. I asked if he thinks the dramatic discounting that took place around Christmas will damage the Champagne brand. 'I don't think so. Champagne is so strong, it has survived savage discounting before and will survive this time round. Nothing can touch its position in the sparkling wine market'.

Moving on to the final two wines, we got talking about the vintage vs non vintage argument. Bampfield recommends buying non vintage Champagne and laying it down for 18 months. 'All non vintage Champagne benefits from a year or two of bottle ageing', he said, singling out the non-malolactic Lanson Black Label NV as a particularly good example offering fantastic value.

The penultimate Champagne was the trophy-winning Chanonine Vintage 2002. It's easy to see why it won an award - an attractive golden colour, it had bags of flavour with a fragrant, feminine nose and a punchy, toasty, brioche palate. Rich, masculine and robust, it makes a big first impression. Bampfield pointed out that it's hard to award subtlety in wine competitions, meaning a lot of incredibly well made wines fall short of the mark due to the sterile tasting conditions competition wines are subjected to.

Our final wine was Moet & Chandon Grand Vintage 2003, which, according to Bampfield, changed the game in terms of vintage rosé Champagne. It had an attractive orange hue, and was very light, fresh and fruit-forward on the palate - with strawberries, raspberries and summer fruits in the mix. The session ended with Bampfield urging us to experiment with Champagne and take it beyond the confines of the aperitif, with scallops, oysters, lobster and Pecorino cheese all named checked as great food matches.

We were all given a miniature bottle of LP to take home, which I cracked open while watching the election coverage, calling it a night at 1am. I turned on the TV at 7am expecting to see a newly-crowned Prime Minister, but nothing appeared to have been decided. And it still hasn't.

Saturday, 27 February 2010

Come dine with me


Monday night was momentous – a rite of passage that marked my entry into adulthood. I hosted my first dinner party.

Admittedly it was only for four people (myself included), but for someone who has yet to wean herself off her university diet of cheesy nachos and Super Noodles, it was a big deal.

I have always hoped there is a domestic goddess within, and that I've just been waiting for the right occasion to release her. This was my chance, and I was leaving nothing to chance.

On Sunday morning I scoured the pages of my favorite (okay, only) cookbook: Nigella Express. If anyone can make food sexy and appealing, Nigella can. I met her once during my reporting days and she dripped sex appeal. She is the chocolate covered spoon of sex appeal. Her programmes are food porn, and so deliciously executed. A wink here, a lick of the spoon there... I digress.

I picked the three easiest recipes to execute, jotted down the ingredients in my pink Krug notebook and hoofed it to Sainsbury's. It's the first time in my life I've been to a supermarket with a purpose. I felt virtuous as I skipped down the aisles throwing all my desired ingredients into my basket. With each new ingredient, I came a step closer to the realisation of my goal. The pieces of the culinary puzzle were coming together.

Fortunately, my flatmate was away on Sunday night, giving me the chance to dig out the dining table (which we've never used), and set the scene. I thought I'd get ahead of myself by making the honeycomb for the ice cream a day early. It's deceptively simple, all you need is caster sugar, golden syrup and bicarbonate of soda. Nigella ordered me not to touch the sugar as it boiled, so I left it a little too long and it came out more brunette than blond, with a burnt toffee aftertaste. I made mountains of it – dental suicide.

Rushing back from work on Monday, I whacked on Paolo Nuttini and lit some candles, decorating the table with my pre-starters: giant olives, hunks of sourdough with olive and balsamic oil for dipping, and shreds of Parma ham. My first two guests arrived and began to dig in.

The host has a difficult role to play during a dinner party. Striking the right balance between the attention you pay to your guests and your food is a fine art. You are expected to be wildly entertaining and unruffled while you whip up a three course culinary extravaganza (unaided), cater to your guests' every caprice and match them glass for glass. It's a delicate tightrope that needs to be navigated with grace and humility.

My third guest was running late, which presented two dilemmas: to uncork or not to uncork, and when to start the starters. Timing is crucial to the smooth running of a dinner party. A late guest can cause the whole operation to unravel. I decided to take a risk and start cooking without him, in the hope that it would somehow speed up his arrival. I cracked open the bubbles in his absence, as my guests were parched and open-mouthed like hungry little birds.

Much to my delight, my final guest arrived in perfect time for the starters – eggs en cocotte with my secret ingredient: truffle oil. Annoyingly, I had let the yolks go hard whilst waiting for the soldiers to toast, but they went down a treat and disappeared quickly from their ramekins. I opened a Marques de la Murietta Capellania white Rioja to accompany the dish. It had an alluring waxy mouthfeel, with notes of fennel and honey wrapped around an oak core. Broad and creamy on the palate, the faint traces of oxidization only added to its charm.

No sooner had I pondered it's toffee-tinged depths, than I was back in the kitchen tackling the main course: duck breasts with pomegranate and mint on a bed of rocket. I have never cooked duck before, and to make matters worse, my cooker has no numbers on the dial. They have either been rubbed off by overzealous lodgers before me, or they never existed. I seared the breasts in a pan as suggested by Nigella and whacked them in the oven, taking them out a couple of minutes before the suggested time, having learnt the hard way with the eggs.

Amazingly, when I thrust my knife into the hot skin and began to sheer, the meat was as pink as a warm cheek. I made my bed of rocket and lay the slithers of duck in it, pouring the juice from the pan over the meat as I went. To finish, I added a sprinkling of mint and a handful of pomegranate seeds, that glinted like rubies in the light. Being an Art History graduate, I have to admit to picking the dish for its aesthetic beauty. It looked so pretty on the dish - the green of the mint bouncing off the red of the pomegranate. I matched the main with a 2005 Au Bon Climat Pinot Noir from California. On the palate were raspberries, rose petals and cola bottles that mingled with earthy, meaty notes. Elegant and refined, it was a sensational match for the duck.

Finally it was time for a bit of fun: desert. This was the only dish of the trio I'd made before. It was a hit with my family last Easter, and has to be the most indulgent pudding on the planet. I lined up four ice cream sundae glasses along the counter and scooped a ball of chocolate, vanilla and toffee ice cream into each. Between each scoop I added a layer of honeycomb, and on top went my magic sauce - melted chocolate mixed with double cream, Skippy peanut butter and golden syrup. After sprinkling them with chopped peanuts, they were good to go. It reminded me of the knickerbocker glories you used to drool over as a kid when you went to TGIs. A calorie calamity, but worth every one.

The look of delight on my friends' faces as they tucked into the gloopy scoops made all the effort worthwhile. As I sat there having made it to the finish line, finally able to relax, I realized that the joy in cooking lies in other people's reactions. To watch people happily devouring food that you've made is seriously rewarding. It fires you up and motivates you to try harder and push the culinary boundaries as far as you can. I'll still have the odd guilt free packet of Super Noodles every now and then, but I've had a taste of the the joy you get from cooking for other people, and it's made me hungry for more.

Thursday, 26 November 2009

Lanson vertical tasting


Yesterday afternoon I scuttled out of the office early to attend a vertical tasting of Lanson Champagne hosted by Tom Stevenson. The invite said it was to be held in the 'Masonic Temple' at the Andaz Hotel, Liverpool Street. I was intrigued.

Taking the lift to the first floor, I was directed through a series of carpeted corridors that lead to the temple, which was sealed off by a pair of huge varnished wooden doors etched with the words: 'For God And His Service'. The room was round, with a white marble floor and red and white marble columns evenly spaced along the walls. It was decked out like a strange courtroom - think Alice in Wonderland meets the Da Vinci Code, with rows of stern brown chairs at either side, each with their own emblem, from eagles and quills to coats of arms. 

On the ceiling, the signs of the zodiac circled a golden sun and at the far end, framed by the organ, stood a throne, its head decorated with a third eye hovering in a cloud emitting Bernini-esque beams of light. Standing next to the throne was an ashen-faced Tom Stevenson, remote control in hand. I was expecting a funny handshake, but thought better of attempting a greeting and quietly took my place next to Simon Berry.

We were handed a glass of Lanson rosé to help us get through the introduction, which, by Stevenson's own admission, was drier than a Brut Nature. The main thrust of his argument was that non-malolactic fermentation in Champagne is a trend on the rise, and we will soon see brands beyond Krug, Bollinger and Lanson experimenting with the technique. 

The fun began when we got to taste the 10 Champagnes, dating from 1996 back to 1976. It was interesting to compare the same vintages with different disgorgement dates. We tried two 1995s disgorged ten years apart (in 1999 and 2009 respectively), two 1985s disgorged in 1989 and 2006, and two 1976s disgorged in 1999 and 2008. I found myself preferring the wines that had been disgorged earlier, as they seemed to show more complexity and maturity than the recently disgorged examples, though opinion around the room was divided. 

After the tasting we got to enjoy some sensational food from the Andaz kitchen. Highlights included the goats cheese crumble with crushed walnuts (so good I had three), wild mushroom gnocci and apple cinnamon parfait with treacle sauce. At 7.30 I dashed to my second event of the evening at the HOST (Honduras Street) gallery in Old Street -  a tasting to celebrate the launch of redwhiteorpink.com, a wine website headed by Laura Lindsay, former sales manager of Edward Parker Wines. 

Top five 

Champagne Lanson 1996 (magnum) disgorged 2008

Clear, pale, lemon with ebullient bubbles. The nose was fascinatingly complex - with dairy notes of butter and cream lending it a Chablisian character. The Chardonnay screams out. Rounded and full in the mouth with citrus notes, good acidity and long length. Tom Stevenson once described it as 'like gargling with razor blades' (in a good way). 

Champagne Lanson 1988 (magnum) disgorged 2008

Clear, medium, gold, with a sharp citrus lemon nose and touches of honey. Crisp, fresh and silky on the palate with elegant Pinot Noir fruits, it had a good mousse, impressive length and hints of licorice and vanilla on the finish. 

Champagne Lanson 1985 (bottle) disgorged 1989

My kind of Champagne - it had a nose of hot buttered toast and a rich, full mouthfeel. It showed more complexity, body and depth than the recently disgorged 1985, with crisp acidity and a mushroomy finish. 

Champagne Lanson 1979 (magnum) disgorged 2007

Clear, medium, gold with an attractive, varnish-like nose. Light and fruity on the palate, it showed fresh lemons and apples coupled with appealing and intriguing truffle aromas. Although lighter than a lot of the Champagnes on show, it was elegant and surprisingly persistent.

Champagne Lanson 1976 (magnum) disgorged 1999

The fairest of them all, or at least the most golden. Deliciously complex with a nose of hot buttered crumpets and digestive biscuits. Round, rich, intense and full-bodied, the palate had a lovely mousse held up by a backbone of acidity and an attractive sherry-like nuttiness. I found the slightly oxidized aromas and long, toasty finish hugely appealing - my wine of the night.