Showing posts with label Mark Hix. Show all posts
Showing posts with label Mark Hix. Show all posts

Sunday, 20 November 2011

Foraging with Mark Hix

I’m in a tiny dolls house of a hotel with an ice pink façade, built on a slope by the roadside in Lyme Regis. Barely mid-afternoon, it’s already dark, and the wind is howling outside like an untamed beast, causing my window to crash against itself, as if out of sympathy for the giant waves in the distance, cascading up the harbour. Rain lashes relentlessly, the cool air from the drafty window filling my room with a ghostly chill. I feel like Emily St. Aubert in The Mysteries of Udolpho, scared to open my wardrobe for fear of what I might find.

Earlier that day I’d braved the wind-swept beach in search of sea creatures to cook. A group of us had taken the train from London, leaving behind bright blue skies for a tempestuous Jurassic Coast, shrouded in gray. We’d descended upon the “Pearl of Dorset” to forage with Bridport-born celebrity chef Mark Hix, who splits his time between London and Lyme Regis, home to his Hix Oyster & Fish House. Stepping off the train into the rain, we dump our bags at the Mariners hotel, don Wellington boots, and weave our way down to the beach.

The unrelenting wind makes it impossible to get near the sea, which would have gobbled us up without spitting us out, so we have to make do with what’s growing between the pebbles, which includes sea spinach, sea kale, sea cabbage, sea purslane, and my favourite, the spicy, celery-like rock samphire. Shakespeare referred to the dangerous practice of collecting rock samphire from cliffs in King Lear: "Half-way down, Hangs one that gathers samphire; dreadful trade!" Munching on a sprig, I begin my ascent to Hix’s hilltop restaurant, prodded up the hill in my soporific state by fellow hack Ben Norum’s umbrella.

Safely ensconced in Hix’s hideaway, we refuel on Talisker-laced hot toddies, dispensed into copper cups by master mixologist Nick Strangeway. Hix launches into a pep talk about the joys of foraging, handing round mushrooms he’d picked before the rain hit, including the ominously titled “Trumpets of Death”. We then dine like kings on deliciously fresh seafood platters dotted with lobsters, oysters, razor clams, muscles and jumbo prawns, followed by a meaty fillet of Torbay silver mullet accessorised with cockles in their shells and a forest of foraged seashore vegetables. Dessert reaches a decadent crescendo with a Talisker-drenched walnut tart with Dorset clotted cream, which matches wonderfully with accompanying drams of Talisker 10-year-old and 18-year-old. Glinting gold in their glasses, both have a powerful nose of peat-smoke, pepper, citrus and toffee, lifted by salty, sea air notes.

The next morning, the landscape had transformed. I awoke to the sound of birds chirping, and a view of a calm coastline welcoming the rising sun, piercing through the clouds. The sky was blue, the sea unmoving. It felt like a different place. I sat on the window ledge taking in its beauty for a minute or two, transfixed by the tranquility. How much my horizon had changed in a day. At breakfast, I learnt that Beatrix Potter had stayed in the hotel aged 17, during a visit that served as the inspiration for The Tale of Little Pig Robinson, which, though her last published book, was one of the first to have been written. Having never heard of the book, I chanced upon a copy at an antiques fair a week later. Dipping into it, the pages were interspersed with illustrations of the Lyme Regis coastline, bobbing with boats.

Monday, 14 November 2011

James Martin

Wine and the City talks to celebrity chef James Martin at the London School of Hospitality and Tourism about food and beer matching, working at Château Cheval Blanc as a teenager, his passion for Gaja and Montrachet, and why molecular gastronomy does his head in.

Wednesday, 19 January 2011

Tony Hadley & Mark Hix on British beer

Wine and the City caught up with the unlikely duo of Spandau Ballet frontman Tony Hadley and world-renowned chef Mark Hix at Mark's bar in Hix Soho on Monday night, to talk about the delights of British beer, their own brews and what the beer industry needs to do to match the wine industry for glitz and glamour.

Saturday, 6 March 2010

Chateau d'Anglès at Hix


Last week I found myself at Hix restaurant twice in as many days. I partied in the downstairs bar on Monday night at the launch of KitchenAid's new range of blenders. It doesn't sound very glam, but the cocktails that were coming out of those bad boys were amazing. KitchenAid is the i-pod of the blender world. The range comes in a series of cool colours, so you can sync it with your Smeg.

I was invited back on Wednesday for a wine dinner hosted by Eric Fabre of Languedoc-based Château d'Anglès. Fabre, a tall, svelte, silver fox, spent eight years at Château Lafite as technical director, before moving to the lesser-known Médoc estate Château La Cordonne for six years. He's now making interesting wines in the Languedoc.

Ten of them were on show, alongside a sensational tasting menu whipped up by Hix himself. First up we tried the 2009 rosé, which was an attractive flamingo pink. Rounded and creamy, with notes of strawberries and cream, it made for delightfully easy drinking.

Our appetizers were divine – cods tongues with whipped squash and hazelnuts served alongside the Classique Blanc 2008. Made from 50% Bourboulenc, a grape much-championed by Fabre, the wine had a lovely stone and tropical fruit nose, with peach, pineapple and melon in the mix. I also found citrus notes, and hints of cut grass. Rounded, creamy and almost waxy in the mouth, its searing acidity kept it fresh.

Next up were the starters – wood pigeon on toast with chickweed, served with the Classique Rouge 2007. The pigeon was wonderfully cooked, albeit slightly overpowered by the pungent paté underneath. As for the wine, the Syrah dominated the blend, with velvety black fruits and white pepper dancing out of the glass.

For our main, Mark served Glencoe red deer haunch with bashed neeps, beetroot sauce and french fries. Pink and juicy, the deer was cooked pefectly and was a stunning match for the Grand Vin Rouge 2007, my wine of the night. The nose was an opulent mix of bramble fruits, plums, black cherries and black berries, wrapped in soft, creamy vanilla. The fruit was ripe, juicy and mouthfilling, with sweet spice lingering on the finish. It had amazing balance and elegance despite being a blockbuster, and disappeared very quickly from my glass.

Fabre laid on a vertical tasting of his Grand Vin Blanc with the cheese course, where we compared the '03, '04 and '05 vintages. It was fascinating to track the wine's evolution, and to find so many differences from year to year. The '05 was the lightest and freshest of the three, with a peachy nose and a rich, buttery mouthfeel.

2004 was a crowd pleaser. Fuller-bodied than the '05, the honeyed aromas were starting to come through, and yet it retained a wonderful freshness, with notes of ginger lingering. My favourite was the '03. It showed lovely development, with a delicious nose of honeysuckle, white flower and faint petrol aromas. Rounded, rich and complex, the unctuous palate retained its youthful vigor. I found it utterly charming.

Top cap off the evening, we got to try something special with our Bakewell puddings – Oorain Victoria 2006 (pictured), a sweet wine made from 90% Syrah and 10% Maple Syrup. Fabre's cousin is a chocolatier and encouraged him to add it to the blend. It worked surprisingly well. By this stage tasting notes eluded me, so I have no record of the wine, but I remember fresh figs on the nose. A smily and unassuming Mark Hix came through the sliding doors and got stuck into a glass. He seemed to like it. I left as the Venezuelan black truffles started doing the rounds feeling full as a goose, in a good way.