Single vineyard Rioja enters the spotlight

Single vineyard Rioja is coming into the international spotlight, helped in the past few years by perfect or near-perfect Parker scores. Rioja Alavesa-based Artadi and Alta-based Finca Allende are at the cutting edge of the single vineyard movement with El Pison and Calvario, Simon Field MW of Berry Bros & Rudd told the drinks business. “The single vineyard movement is a very positive thing for Rioja, but it requires experimentation and the volumes are so tiny that a lot of them stay within the domestic market,” he said.

Working on a new single vineyard project in Rioja Baja is Spanish wine pioneer Alvaro Palacios, who is back at his family’s 100-hectare estate in the town of Alfaro. Believing Baja boasts the perfect terroir for old vine Garnacha, he has steadily increased the percentage of Garnacha in his blends each year, with the ultimate goal of making a single vineyard Garnacha from his 3-hectare Valmira vineyard, which he aims to release in the next few years.

Since returning to Rioja, Palacios has noticed positive a shift towards regional thinking. “People are starting to realise that the three sub regions have very different personalities, like the Left Bank and Right Bank in Bordeaux,” he said. He sees the single vineyard trend as not only exciting, but crucial for Rioja’s future. “We need to take more of a regional approach in Rioja and start putting both the sub regions and the names of the individual villages on our labels like they do in France ­– it’s the only language of fine wine, but the Consejo won’t allow it."

Another spearhead of the single vineyard movement is David Sampedro, who makes a super-premium red and white from his limestone-rich, 1.3-hectare El Brozal plot dating back to Roman times in the town of El Villar, producing a mere 1,000 six-bottle cases a year, the majority of which is exported to the US. Like Palacios, he wants to see winemakers putting village names on their labels. “I’ve had problems with the Consejo for putting the single vineyard name on my labels, but Rioja desperately needs to communicate this terroir concept,” he urged.

Sampedro hope to see more single vineyard Riojas emerge in the near future. “It would lead to a better consumer understanding of Rioja’s terroir concept, but as a winemaker you need to be able to make money in other ways to stay afloat,” he admitted. El Pison, which Sampedro considers to be Spain’s top wine, is made from grapes grown in a high altitude, southeast facing, amphitheatre-shaped, 2.5-hectare old vine clos a mile from Laguardia in Rioja Alavesa. The brainchild of Juan Carlos Lopez de Lacaille of Artadi, the 2004 vintage received 100 points from The Wine Advocate, and sells for £300 a bottle.

Roda

Wine and the City tries two sensational wines at Roda in Rioja – Roda I Reserva 2006 and the near-mythical Cirsion 2007, made from 100% old vine Tempranillo, with Lottie West from Wines From Rioja. Roda also makes a pair of delicious extra virgin olive oils and recently released two wines from Ribera del Duero under the Corimbo label.

Marqués de Murrieta

Wine and the City tastes two stunning wines at historic bodega Marqués de Murrieta in Rioja – Capellanía Reserva 2006, a complex old vine Viura with immense ageing potential, and Castillo Ygay Gran Reserva 2004, a classic Rioja combining red fruit with cedar aromas.

Bodegas Baigorri

Wine and the City tries two delicious wines at the cutting edge Bodegas Baigorri in Rioja – Baigorri Reserva 2007, which scooped the best Rioja gong at the New Wave Spanish Wine Awards, and the signature Baigorri de Garage 2007, with Lottie West from Wines From Rioja.

Dalmore tasting at Selfridges

Tasting season is in full swing. August was painfully quiet, hence the silence on the blog front. My diary was a barren wasteland of blank space, but the dog days are over - September has saved my social life!

Never one to pass up an opportunity to try something new, when an invite for a Dalmore whisky and chocolate tasting at Selfridges pinged into my inbox, it took me all of a minute to reply.

I'm not a huge whisky fan, but I was excited to try the 45-year-old single malt master distiller Richard Paterson was unveiling for the first time. Six whiskies were on show at the Wonder Bar, which will soon play host to a series of Decanter World Wine Awards trophy winning wines. Each was matched with a different chocolate.

First up was the 12-year-old. Cue sniggering from the male members of the group. Dalmore mature their whiskies in old Gonzales Byass Matusalem casks, imbuing the final blend with an attractive nutty finish. The 12-year-old was incredibly approachable, with notes of orange, citrus and aromatic spices, which worked well with the marmalade fueled chocolate.

The 15-year-old had developed further, and was showing hints of dried spices, cinnamon and ginger, which were enhanced by the salted caramel chocolate. Next in line was the 'Gran Reserva', which sounds more like a Rioja than a whisky. It had an opulent nose of roasted coffee and Christmas cake, which fused wonderfully with the ginger dominant Madagascan chocolate.

Soon it was time for the 18-year-old – a whisky with a driving license. Matured in American white oak for most of its life, it's finished off in Sherry wood for the final furlong. Smooth and rounded, it had a potent nose of almonds, vanilla and spice. Having sipped on these bad boys and nibbled copious squares of chocolate, we were summoned to hail the arrival of the master distiller himself, known as 'The Nose'.

A small mustacheod man with a big personality, Paterson oozes charisma and has the mouth of a sailor. He leaps up on a chair and launches into an impassioned speech about his new arrival - the 45-year-old single malt he's christened Aurora, after the goddess of the dawn. Dalmore, he says, is distinguished by the shape of its stills, which he refers to as 'the big bastards'.

At the point of exploding from his own enthusiasm, Paterson uncorks Aurora and pours us all a wee dram. 'Caress it', he urges us, 'make love to it'. At £3,200 a bottle, Paterson puts it in the same quality league as Lafite. 'It's probably the most expensive thing you'll ever have in your mouths ladies', he says with a smirk. Someone nearly chokes, and I'm close to spraying the man next to me. This guy is a riot.

Aurora is seriously good - an attractive amber colour, it has an intoxicating Sherry-like nose of marmalade, maple, caramel, cedar and spice. Paterson tells us to keep it in our mouths for as long as possible to maximise the flavour development. It has a creamy, textured palate layered with citrus and sweet spice, and a cigar-like finish so long it goes into next week. It may have been the chocolate, or Paterson's oratory skills, but I walked out of Selfridges a whisky convert.

Hotel Viura video

Wine and the City takes you on a tour of one of the six suites in Hotel Viura, Rioja's first luxury boutique hotel in Villabuena de Alava.

Hotel Viura

When Frank Gehry created his purple and silver stainless steel structure for Marqués de Riscal in 2006 (said to resemble the folds in a flamenco skirt), Rioja became a byword for avant-garde architecture. From the glass-fronted, Bond-like Bodegas Baigorri designed by Basque architect Iñaki Aspiazu, to Santiago Calatrava’s undulating Bodegas Ysios, via Zaha Hadid’s futuristic triangular pavilion at López de Heredia, some of the world’s greatest architects have proved their mettle in the region.

The latest addition to Rioja’s ultramodern architectural portfolio is Hotel Viura, a 4 star luxury boutique hotel designed by Joseba and Xabier Aramburu that opened at the end of April. Set next to a 17^th century church against a backdrop of the Sierra de Cantabria mountains in the tiny medieval village of Villabuena de Alava – inhabitants 300, in Rioja Alavesa, the hotel seems to surge out of the ground, its cubed rooms nonchalantly piled on top of each other like building blocks.

Named after Rioja’s most widely planted white grape, Viura is supposed to resemble a bunch of grapes, but to me its whimsically superimposed white cubes are very favela chic. I was invited out on the inaugural press visit last week with a small group of journalists. On arrival I’m offered the house cocktail, made with red wine syrup, amaretto, vodka and soda. It’s sickly sweet and strangely satisfying.

We sip our cocktails whilst waiting for Godoy, Viura’s ebullient, young, Malaga-born sommelier fresh from a stint at the chic boutique Hillbark Hotel in Liverpool. Godoy has already put his stamp on Viura with a reversible wine list, ordered by both region and grape variety.

Before dinner we’re given a tour of the rooftop lounge bar with an outdoor cinema and impressive 360-degree views of Villabuena de Alava. It’s dusk, and the swifts are busy making figures of eight in the sky. From the rooftop we move down to the cellar, decked out with orange neon strip lights, like a Dan Flavin installation. It boasts over 200 bins, 80% of the which are from Rioja, including a sizeable offering of barrel-fermented Viuras and a number of old vintages of CVNE, Marqués de Riscal, López de Heredia, Muga and Roda.

The restaurant serves traditional Basque cuisine with a modern twist. Gold barrels hover from the ceiling in suspended animation. ‘It took a week to paint them and stick them up there’, Godoy informs me, making me fearful I might be floored by one during the starters. On my visit I try cod croquettes, crab ravioli, green pea and black truffle, cream cheese foam with red pepper and chives, suckling lamb, poached pears…

After an epic dinner (I lose count after the sixth course), I’m as stuffed as a pillow and craving sleep. My spacious suite has minimal interiors, dominated by a behemoth bed measuring two square metres – I could turn in it like a compass needle and still be nowhere near the edge.

In keeping with the wine theme, above the bed is a print of a pair of barrels. I lucked out here – one of the journalists got a terrifying, Francis Bacon-esque hadean vision of a cellar. Between the bath and the bed is a sheet of violet glass, which, when peered through from the bath, gives the room a lilac hue. Everything screams cool, from the 42-inch flatscreen TV and red Nespresso, to the black bath products. The curtains are a sober shade of gray, and frame my view out onto Villabuena de Alava via my ridiculously large roof terrace.

Does Viura jar with the village? It sticks out like a fat man on a catwalk, but its higgledy-piggledy high jinks somehow works beside the solid sandstone church. It looks absolutely mad, like an office block has fallen from the sky and landed awkwardly, but that’s the point – it’s supposed to look mad, supposed to provoke a reaction. After all, it’s a work of art as much as a hotel.

Hotel Viura, Calle Mayor, Villabuena de Alava 01307, Spain

Tel: +34 945 60 90 00, www.hotelviura.com

Doubles from €125, daily flights from Heathrow to Bilbao with Vueling

Castillo Perelada dinner at Iberica

The week started in style with the Big Fortified Tasting at Glaziers Hall and an eight course food and wine matching dinner at Ibérica Food & Culture in Great Portland Street showcasing the wines of Castillo Perelada.

Winemaker Javier Suqué was a no show, unable to fly to London due to the pesky Eyjafjallajökull volcano, whose ash emissions are wreaking havoc over Europe. It's our Decanter World Wine Awards next week and we're having nightmares about empty tasting rooms and judges stranded in different parts of the world.

Anyway, on to brighter things. Castillo Perelada, who I must admit I hadn't heard of before the dinner, is the jewel in DO Emporda's crown, and their flagship estate. While the regions of Rioja, Ribera del Duero and Priorat are well loved and respected in the wine world, Emporda is a young pretender, still striving for global recognition.

Situated on the northeastern corner of Catalonia at the foot of the Pyrenees near the French boarder, Emporda benefits from a mild mediterranean climate and has mixture of soils, from slate slopes and red clay to sandy valleys, which make for interesting, complex wines.

Originally known for its sweet wines, Emporda is now more famous for its rosés, with Macabeo and Garnacha Blanca making up 80% of the vines planted in the region. Painter Salvador Dalí, a local of Emporda and close friend of Castillo Perelada's founder Miguel Mateu, was a big fan of the estate's Brut Rosé Cava.

Perelada goes against the grain, specializing in Cava and red blends made from international varieties. The company owns over 150 hectares across five estates, including La Garriga, Malaveina and the much-prized Garbet. I was treated to a tasting of eight of their wines – Cava to start and finish, with six red blends in between, matched with an array of experimental dishes from the Ibérica kitchen.

First up of the reds was 5 Fincas Reserva 2005, a blend of Merlot, Garnacha, Cabernet Sauvignon, Syrah, Tempranillo and Cabernet Franc aged in 50-5o French/American oak. The chefs paired this with ham two ways served on a black slate: Ibérico ham and ham croquetes. One sniff of the wine and I wouldn't have put it in Spain, but rather France. It was suave and mellow, with soft red and black fruit, bramble and licquorice. It had real depth and body with velvety tannins and hints of sweet spice.

For our second starter we drank the 100% Samsó Finca La Garriga 2006, aged for 16 month in new American oak, which was paired with sautéed wild mushrooms with cep gel and a slow poached egg. The nose was a lovely mix of sweetness from the oak and savoury notes. Equally as opulent as the first wine, it had a luxurious mouthfeel, mixing pepper, licquorice and spice and wonderful length. The mushroom dish looked like a work of art and tasted divine.

On to our first of the mains – slow cooked octopus in its own jus with green asparagus, white onion and paprika oil paired with the single estate Finca Malaveina 2006, a blend of Merlot, Cab Sauv, Syrah and Garnacha aged in new French oak. Having had a couple of extreme reactions to octopus in the past, I had to bail on this dish, opting in stead for play-it-safe cod. A more masculine wine than the first two, it had robust tannins and deeper black fruit. On the palate it was soft and silky, with a delicious velvety licquorice finish. I soon noticed that I'd written 'delicious' beside every wine; not something I normally do.

On to a classic Spanish dish, Asturian white bean stew with fabadas, chorizo, morcilla (black pudding) and pancetta – so simple, so full of flavour. This was matched with Solanes Cims de Porrera 2005 from Priorat, a blend of Cariñena, Garnacha, Cab Sauv, Merlot and Syrah aged in French oak. Grown on slate soils, it had a savory, almost herbal nose and a signature smooth mouthfeel with a spicy, peppery, meaty, Rhône-like red-fruited palate.

Now to the apogee: roasted shoulder of suckling Segovia lamb with herbs, mushrooms and green peas paired with Classic Cims de Porrera from Priorat, made from 100% old vines Cariñena and aged in new French oak. The wine was a sensational match for the lamb, which had been slow cooked for 12 hours and fell off the bone. It was the most tender, succulent and flavoursome lamb I've ever tasted - a culinary triumph. The whole table was seriously impressed. The wine wasn't bad either! It had a nose of morello cherries, raspberries, spice and pepper, with a smooth, velvety, round palate and a vanilla-sweet finish.

After the unforgettable lamb, I had to somehow find room for cheese, and the eagerly-anticipated Finca Garbet 2004. Made from a tiny 7 hectare estate, only 3,200 bottles are produced each year. The second 100% Samsó of the night, from 50-year-old vines, it was heady, full-bodied and opulent with a nose of blackcurrants, mint, licquorice and eucalypt. Smooth, velvety, fresh and long, there were hints of rosemary, game, chocolate and coffee on the palate, with a toasty lavender finish.

Having written delicious beside every wine, I got to thinking about the thread that weaved them all together – freshness. They all were all fruit-driven with good acidity and well integrated tannins, but it was their freshness that distinguished them, and while some weighed in at 14.5% abv, their freshness gave them balance and lift. I came along with no expectations and left completely converted. With wines of such quality, depth and complexity, surely Emporda won't remain Spain's best kept secret for much longer.