Showing posts with label Lopez de Heredia. Show all posts
Showing posts with label Lopez de Heredia. Show all posts

Friday, 9 December 2011

Hawksmoor Guildhall

As the home of the City of London, Guildhall has been the centre of City government since the 12th century, and still serves as the City’s ceremonial centre. Recently discovered remains of a Roman amphitheatre indicate that the site was significant as far back as Roman times. Having survived the Great Fire of London, it is the only pre-1666 secular stone structure still standing in the City. The gothic building served as a base for the Lord Mayor in an era when mayor rivaled the monarch for influence and prestige. Trials in the hall have included those of Thomas Cranmer, Lady Jane Grey and Henry Garnet (in connection to the Gunpowder Plot). Fast forward to late 2011, and the team behind Hawksmoor Spitalfields and Seven Dials have cleverly chosen to open their third steakhouse in the suit-filled, BMW-lined, cash-rich City of London, housing Hawksmoor Guildhall in a Grade II listed building inches away from the Guildhall’s soaring ceilings.

The latest addition to the Hawksmoor family is the largest of the trio, able to accommodate 170 covers. A circular sapphire stained glass window prettifies the main entrance, where a sweeping staircase leads you down into the expansive space furnished with chocolate brown leather seats, polished wooden floors and walls lined with wood panelling, which give the impression you’re aboard a vintage sea liner. Reinforcing the nautical theme are porthole lights, a low ceiling and art deco light fittings modelled on the ones used in the Titanic. Specimen cabinets from the Natural History Museum populate the room, while tables have been pilfered from school science departments.

Beef dominates proceedings, with a six-course tasting menu the star attraction. The affable waiting staff sport rolled up checked shirts, fitted jeans and goofy grins. It’s a Tuesday night and the room is abuzz with animated chatter. To my left, a table of sharp-suited businessmen who look like they’ve even nothing but T-bone steak their entire lives, gesticulate wildly with their meaty hands. I kick off my meat feast with a duo of aged whites by the glass, impressed to see both Rioja stalwart López de Heredia Viña Gravonia Crianza Blanco 2001 and Lebanon’s finest, Château Musar 2003 on the list. Two generous glasses of liquid gold are brought to the table, the López de Heredia showing the signature nuttiness of aged white Rioja, while the Musar has a perfumed nose of dried quince and exotic fruits, which pairs perfectly with a sextet of saline Dorset native oysters. Clean and direct, they cleanse the palate in preparation for the pleasures of the flesh.

As inseparable on a 2011 menu as Ginger Rogers and Fred Astaire, a second starter of woody salt-baked beetroot and crumbly Childwickbury goat’s cheese dances across the palate. For the main event, I default to the waiter, who, displaying an encyclopedic knowledge of each cut, talks me through the flavour nuances of each. I settle on a 600g sirloin, and, feeling primeval, ask for it rare. The Flintstones-sized steak is the largest piece of meat I’ve ever encountered. So huge as to be rendered cartoon-like, it could have fed a family of five. Determined to do it justice, I grab my knife and fork and venture into its soft interior.

There’s something about eating a steak that unleashes the inner caveman (or woman). A thick, bloodied slab of meat brings you face-to-face with your carnivorous nature. Attacking the cut and devouring the rare meat links you to your Neanderthal ancestors who hunted to survive. It’s inherently masculine; the ultimate Alpha Male meal, and the polar opposite of a pretentious organic salad filled with frippery. There is something honest and pure about enjoying a steak; a reaffirmation of our status at the top of the food chain.

Aside from its arresting size, the sirloin is moist, tender, juicy (from the fat), and well seasoned. Perfectly pink inside, it has a smoky edge and is so supremely cooked, and such a pure expression of itself, that the accompanying béarnaise and bone marrow sauces hinder rather than enhance the flavour. A side of piping hot triple cooked chips held the crown of the best in London for all of a week, until a visit to Dinner by Heston Blumenthal knocked them from their perch. Hawksmoor’s homemade tomato sauce, served in a retro glass bottle, is given a playful twist by the addition of fennel.

Excited to see Pulenta Malbec 2008 on the wine list, on asking for a bottle, I am told they have run out, so opt instead for Luigi Bosca Gala 1 Malbec 2008, which charms with its fragrant nose of raspberries and plums. Voluptous, and with an alluring sweetness, the fine-grained tannins cut through the fat in the steak, while searing acidity adds wonderful freshness. Dessert presents an array of enticing options, from sticky toffee pudding to an old school popcorn sundae. I go for the peanut butter shortbread with salted caramel ice cream. A dynamic and decadent duo, the shortbread arrives as a parcel, its interior revealing molten peanut butter sauce.

The Hawksmoor team have struck gold with Guildhall, the word fittingly deriving from the Anglo-Saxon “gild”, meaning payment. Building on the success of its older siblings, the new kid on the chopping block has an electric atmosphere, refreshingly unstuffy staff, and fleshy food that satiates even the strongest of carnal desires.

Hawksmoor Guildhall, 10-12 Basinghall Street, London EC2V 5BQ; Tel: +44 (0)20 7397 8120. A meal for two with wine costs around £130.

Sunday, 13 June 2010

Hotel Viura

When Frank Gehry created his purple and silver stainless steel structure for Marqués de Riscal in 2006 (said to resemble the folds in a flamenco skirt), Rioja became a byword for avant-garde architecture. From the glass-fronted, Bond-like Bodegas Baigorri designed by Basque architect Iñaki Aspiazu, to Santiago Calatrava’s undulating Bodegas Ysios, via Zaha Hadid’s futuristic triangular pavilion at López de Heredia, some of the world’s greatest architects have proved their mettle in the region.

The latest addition to Rioja’s ultramodern architectural portfolio is Hotel Viura, a 4 star luxury boutique hotel designed by Joseba and Xabier Aramburu that opened at the end of April. Set next to a 17th century church against a backdrop of the Sierra de Cantabria mountains in the tiny medieval village of Villabuena de Alava – inhabitants 300, in Rioja Alavesa, the hotel seems to surge out of the ground, its cubed rooms nonchalantly piled on top of each other like building blocks.

Named after Rioja’s most widely planted white grape, Viura is supposed to resemble a bunch of grapes, but to me its whimsically superimposed white cubes are very favela chic. I was invited out on the inaugural press visit last week with a small group of journalists. On arrival I’m offered the house cocktail, made with red wine syrup, amaretto, vodka and soda. It’s sickly sweet and strangely satisfying.

We sip our cocktails whilst waiting for Godoy, Viura’s ebullient, young, Malaga-born sommelier fresh from a stint at the chic boutique Hillbark Hotel in Liverpool. Godoy has already put his stamp on Viura with a reversible wine list, ordered by both region and grape variety.

Before dinner we’re given a tour of the rooftop lounge bar with an outdoor cinema and impressive 360-degree views of Villabuena de Alava. It’s dusk, and the swifts are busy making figures of eight in the sky. From the rooftop we move down to the cellar, decked out with orange neon strip lights, like a Dan Flavin installation. It boasts over 200 bins, 80% of the which are from Rioja, including a sizeable offering of barrel-fermented Viuras and a number of old vintages of CVNE, Marqués de Riscal, López de Heredia, Muga and Roda.

The restaurant serves traditional Basque cuisine with a modern twist. Gold barrels hover from the ceiling in suspended animation. ‘It took a week to paint them and stick them up there’, Godoy informs me, making me fearful I might be floored by one during the starters. On my visit I try cod croquettes, crab ravioli, green pea and black truffle, cream cheese foam with red pepper and chives, suckling lamb, poached pears…

After an epic dinner (I lose count after the sixth course), I’m as stuffed as a pillow and craving sleep. My spacious suite has minimal interiors, dominated by a behemoth bed measuring two square metres – I could turn in it like a compass needle and still be nowhere near the edge.

In keeping with the wine theme, above the bed is a print of a pair of barrels. I lucked out here – one of the journalists got a terrifying, Francis Bacon-esque hadean vision of a cellar. Between the bath and the bed is a sheet of violet glass, which, when peered through from the bath, gives the room a lilac hue. Everything screams cool, from the 42-inch flatscreen TV and red Nespresso, to the black bath products. The curtains are a sober shade of gray, and frame my view out onto Villabuena de Alava via my ridiculously large roof terrace.

Does Viura jar with the village? It sticks out like a fat man on a catwalk, but its higgledy-piggledy high jinks somehow works beside the solid sandstone church. It looks absolutely mad, like an office block has fallen from the sky and landed awkwardly, but that’s the point – it’s supposed to look mad, supposed to provoke a reaction. After all, it’s a work of art as much as a hotel.

Hotel Viura, Calle Mayor, Villabuena de Alava 01307, Spain

Tel: +34 945 60 90 00, www.hotelviura.com

Doubles from €125, daily flights from Heathrow to Bilbao with Vueling