Showing posts with label Chateau Musar. Show all posts
Showing posts with label Chateau Musar. Show all posts

Friday, 9 December 2011

Hawksmoor Guildhall

As the home of the City of London, Guildhall has been the centre of City government since the 12th century, and still serves as the City’s ceremonial centre. Recently discovered remains of a Roman amphitheatre indicate that the site was significant as far back as Roman times. Having survived the Great Fire of London, it is the only pre-1666 secular stone structure still standing in the City. The gothic building served as a base for the Lord Mayor in an era when mayor rivaled the monarch for influence and prestige. Trials in the hall have included those of Thomas Cranmer, Lady Jane Grey and Henry Garnet (in connection to the Gunpowder Plot). Fast forward to late 2011, and the team behind Hawksmoor Spitalfields and Seven Dials have cleverly chosen to open their third steakhouse in the suit-filled, BMW-lined, cash-rich City of London, housing Hawksmoor Guildhall in a Grade II listed building inches away from the Guildhall’s soaring ceilings.

The latest addition to the Hawksmoor family is the largest of the trio, able to accommodate 170 covers. A circular sapphire stained glass window prettifies the main entrance, where a sweeping staircase leads you down into the expansive space furnished with chocolate brown leather seats, polished wooden floors and walls lined with wood panelling, which give the impression you’re aboard a vintage sea liner. Reinforcing the nautical theme are porthole lights, a low ceiling and art deco light fittings modelled on the ones used in the Titanic. Specimen cabinets from the Natural History Museum populate the room, while tables have been pilfered from school science departments.

Beef dominates proceedings, with a six-course tasting menu the star attraction. The affable waiting staff sport rolled up checked shirts, fitted jeans and goofy grins. It’s a Tuesday night and the room is abuzz with animated chatter. To my left, a table of sharp-suited businessmen who look like they’ve even nothing but T-bone steak their entire lives, gesticulate wildly with their meaty hands. I kick off my meat feast with a duo of aged whites by the glass, impressed to see both Rioja stalwart López de Heredia Viña Gravonia Crianza Blanco 2001 and Lebanon’s finest, Château Musar 2003 on the list. Two generous glasses of liquid gold are brought to the table, the López de Heredia showing the signature nuttiness of aged white Rioja, while the Musar has a perfumed nose of dried quince and exotic fruits, which pairs perfectly with a sextet of saline Dorset native oysters. Clean and direct, they cleanse the palate in preparation for the pleasures of the flesh.

As inseparable on a 2011 menu as Ginger Rogers and Fred Astaire, a second starter of woody salt-baked beetroot and crumbly Childwickbury goat’s cheese dances across the palate. For the main event, I default to the waiter, who, displaying an encyclopedic knowledge of each cut, talks me through the flavour nuances of each. I settle on a 600g sirloin, and, feeling primeval, ask for it rare. The Flintstones-sized steak is the largest piece of meat I’ve ever encountered. So huge as to be rendered cartoon-like, it could have fed a family of five. Determined to do it justice, I grab my knife and fork and venture into its soft interior.

There’s something about eating a steak that unleashes the inner caveman (or woman). A thick, bloodied slab of meat brings you face-to-face with your carnivorous nature. Attacking the cut and devouring the rare meat links you to your Neanderthal ancestors who hunted to survive. It’s inherently masculine; the ultimate Alpha Male meal, and the polar opposite of a pretentious organic salad filled with frippery. There is something honest and pure about enjoying a steak; a reaffirmation of our status at the top of the food chain.

Aside from its arresting size, the sirloin is moist, tender, juicy (from the fat), and well seasoned. Perfectly pink inside, it has a smoky edge and is so supremely cooked, and such a pure expression of itself, that the accompanying béarnaise and bone marrow sauces hinder rather than enhance the flavour. A side of piping hot triple cooked chips held the crown of the best in London for all of a week, until a visit to Dinner by Heston Blumenthal knocked them from their perch. Hawksmoor’s homemade tomato sauce, served in a retro glass bottle, is given a playful twist by the addition of fennel.

Excited to see Pulenta Malbec 2008 on the wine list, on asking for a bottle, I am told they have run out, so opt instead for Luigi Bosca Gala 1 Malbec 2008, which charms with its fragrant nose of raspberries and plums. Voluptous, and with an alluring sweetness, the fine-grained tannins cut through the fat in the steak, while searing acidity adds wonderful freshness. Dessert presents an array of enticing options, from sticky toffee pudding to an old school popcorn sundae. I go for the peanut butter shortbread with salted caramel ice cream. A dynamic and decadent duo, the shortbread arrives as a parcel, its interior revealing molten peanut butter sauce.

The Hawksmoor team have struck gold with Guildhall, the word fittingly deriving from the Anglo-Saxon “gild”, meaning payment. Building on the success of its older siblings, the new kid on the chopping block has an electric atmosphere, refreshingly unstuffy staff, and fleshy food that satiates even the strongest of carnal desires.

Hawksmoor Guildhall, 10-12 Basinghall Street, London EC2V 5BQ; Tel: +44 (0)20 7397 8120. A meal for two with wine costs around £130.

Monday, 29 March 2010

The Sampler: top 10


It's a grizzly grey Monday night in Islington and I feel like a kid in a candy shop. I'm at The Sampler armed with a loaded card. Admiring the 80 wines on display in the Enomatic machines like paintings in a gallery, I don't know where to begin.

I try to keep on top of wine trends, but am three years late in discovering this North London gem. Walking round the shop is a genuinely exciting experience - it feels Decanter magazine has come to life, and all the top wines have leapt from the pages onto the shelves. All the key world wine regions are represented and at every turn is an A-lister: Salon, Ausone, Richebourg, Aldo Conterno, Castillo Ygay, Caymus...

The bottles stand side by side on the shelves begging to be bought. I have to resist the urge to pick them up and drool over them. As I ponder what wine to try first, I catch sight of a man in his mid 50s in a purple flat cap, outsized glasses and yellow Crocs enjoying a slurp or two whilst listening to his i-pod. He looks French. That's the beauty of The Sampler - everyone is free to enjoy the delights of this wine juke box at their own speed and to their own soundtrack. The shop's soundtrack, a trendy mix of noughties indie – Kasabian, Kings of Leon and Arctic Monkeys, is seriously cool to sip to.

A selection of the much-hyped Bordeaux 2009s will be available to try from the end of April, but if your budget doesn't stretch that far fear not. I topped up my card with a humble £10 and managed to try 10 impressive wines from a fantastic variety of regions. Where else in London can you do that? I'm a little in love with The Sampler, and plan on making a return visit soon, if only to catch a glimpse of Ivy the dog. Here are my top ten...

Lopez de Heredia, Viña Gravonia, Rioja, 1999 (84p)
Made in Lopez de Heredia's Haro-based winery where architect Zaha Hadid has recently set up shop, the aged white is an attractive amber-gold colour with a wonderfully developed nose of apricot, poached pear and vanilla. Unlike any white Rioja I've ever tasted, its oxidized aromas lends it a Sherry-like quality. Full, rich and weighty on the palate, it tastes of toffee apples with a floral, honeysuckle finish. Lush and alluring, creamy yet fresh, it's a fascinating find. I fear I may have peaked too soon...

Au Bon Climat, Wild Boy Chardonnay, 2007 (74p)
I had to try this wine, if only for the mad label – winemaker Jim Clendenen's head in the middle of a psychedelic triangle looking like a modern day Jim Morrsion. Going on the label, I was expecting a full on cream and oak explosion, so was pleasantly surprised by the restrained and dare I say elegant nose of lemon and green apple. The oak certainly comes through, but in a violin rather than an electric guitar sort of way. It's rich, rounded and creamy on the palate – delicious.

Loimer Steinmassl Riesling, 2006 (£1.54)
From winemaker Freddie Loimer's single vineyard estate, the nose shows wonderful ripe juicy fruit: peaches, pear drops and baked apples. Elegant on the palate, with mouth-puckering citrus fruits, lovely structure, complex minerality and hints of vanilla perfume, it's luscious long length hints at tremendous ageing potential.

Briseu Patapon, 2008 (75p)
If you can get past the scary Jack Nicholson-esque clowns on the label, then this is a really interesting wine. Made from Pineau d'Aunis, a black grape from the Loire, the raspberry coloured wine displays lovely Gamay-style fruit: bright Morello cherries and ripe raspberries. The nose explodes with soft summer fruits, and on the palate are hints of spice, cigar smoke and tar. Grippy and peppered with great structure, it would be amazing served chilled on a summer picnic.

Reichsrat von Buhl, Spätburgunder, 2007 (79p)
I tried my first Spätburgunder last Friday and was seriously impressed by its smokey bacon character - it tasted like liquid Frazzles, so was very excited to see this Pfalz Pinot Noir in the line up. A pale ruby colour, it has a pretty strawberry and cherry blossom nose with an earthy undercurrent. Medium bodied, the slightly perfumed red berry palate mirrors the nose, with bright red fruit mixing into an attractive savoury finish. Quite lovely.

4 Kilos, 12 Volts, 2008 (91p)
Being an unashamed hispanophile, I was keen to try this effort from Mallorca, made from the indigenous Callet-Fogoneu grape, with a little help from Syrah, Cabernet and Merlot. Still very young, the palate shows savoury aromas and dense black fruit: blackberries and juicy blueberries, with hints of coffee and spice from the oak. On the opulent palate the thick bramble fruit continues, with blueberry jam coming to the fore. Suave in the mouth, with lovely vanilla and sweet spice from the oak, it's rich, mouthfilling and seriously quaffable.

Innocent Bystander Shiraz Viognier, 2005 (53p)
Already won over by the enigmatic label, this Yarra Valley gem didn't disappoint. The nose is full of bright, vibrant black cherries, chocolate and nutmeg, and yet it retains a wonderful savoury quality. Rich, full bodied and fruit forward, the palate is lush and velvety, with delicious ripe black fruit mingling with alluring meaty notes and hints of spice. Big and grippy, yet elegant, with a spicy liquorice finish, the savoury notes make it dangerously moreish.

Château Musar, Musar Jeune, 2008 (45p)
Château Musar is high up on my wish list of wines to try, so I saved this until last. Made in Lebanon's Bekaa Valley, this young, unoaked upstart is vibrant, fruity and unashamedly exotic. Made from a blend of Cincault, Syrah and Cabernet Sauvignon, the nose shows lovely red and black cherries, raspberries and red currants. The palate is rich, smooth and red-fruited with sweet spice, structure and grip. Magnificent.

Paxton AAA Shiraz, 2007 (77p)
They call this AAA for a reason. Made from 70% Shiraz and 30% Grenache at the reputed McLaren Vale biodynamic winery, the wine has a spice-box perfumed nose of kirsch and mulberry. Supple, forward and textured, it's a seriously easy going wine. Pleasantly perfumed, elegant and restrained, it smells of the Old World, the Grenache powering through to give it a cherry and raspberry kick. Velvety and smooth, it has a creamy and meaty core with sweet cinnamon spice on the long, full finish. Quite delicious.

Fontanafredda Barolo, 2004 (£1.19)
And finally... One of only two wines I paid over a pound for, this was worth the extra pennies. The Fontanafredda estate used to be the hunting lodge of the late King Emmanuel II, and was also home to his mistress Bella Rosa Rosin. The blood red wine from this superb vintage has a clear-cut, intense nose of withered roses and underbrush with overtones of vanilla and spice. Dry but soft, the palate is haunting – full bodied, silky and well balanced, it's complex and lengthy with alluring spices, smoke and crushed rose petal aromas. Grippy and spicy on the palate with lingering sour cherries, it could only be Italian – it could only be Barolo.

Friday, 29 January 2010

Comptoir Libanais


Never one to turn down a party, on Wednesday night I went to the opening of Comptior Libanais in Finchley Road.

It's the fourth site for this Leon-style Lebanese restaurant, which has managed to win over both Time Out's Guy Diamond (it was a runner up in the Time Out Eating and Drinking Awards last year), and the notoriously harsh Giles Coren, who was charmed by both the lamb kofte and the décor.

There's something distinctly cool about the place. Light, bright and strikingly simple, it looks like it's not trying too hard, which is always good. My friends and I barely had time to perch on a silver stool and admire the surroundings before we were offered a glass of red wine, a bottle of strawberry Fanta and a selection of juices. The Fanta had that wonderful sickly-sweet taste of childhood, while the juices – lime and mint, pink grapefruit, and pomegranate were lip-smackingly fresh.

As for the wine, I was impressed to see six whites and six reds on the menu, including Château Musar 2002. Tonight were were drinking Cave Kouroum 2005 Petit Noir, a blend of Cincault, Grenache, Carignan and Syrah my Lebanese hairdresser had insisted I try the last time he was let loose on my locks. It's from the Bekaa region, on the slopes of the Barouk Mountain. We were drinking from tumblers, so it wasn't easy to asses, but it was bursting with red fruit – cherries, red currants, raspberries and strawberries. The palate was smooth and soft, with silky tannins and a hint of pepper on the finish.

It was an ideal accompaniment to the Middle Eastern food, and boy did they roll out the food. From humous with chickpeas and olive oil, to haloumi wraps, spicy chicken parcels, pine cone shaped falafel, and little bowls of cous cous and roasted vegetables. Sybarite that I am, I tried one of everything and soon started to feel like a stuffed vine leaf. Amidst our gastrotour, a harem of belly dancers emerged in scandalously skimpy outfits. They weaved their way through the crowd, shaking their Shakira-like hips to the rhythm pounded out by the over-enthusiastic male drummers.

Through the throng came orange-clad waitresses with trays of frozen yoghurt with rose water, baclava sprinkled with pistachios, cubes of honey-drenched cake and biscuits crammed with nuts. I was too full to enjoy them, but made a gallant effort to try them all. The evening finished with jars of mint tea and a goodie bag full of Eastern treats – baclava, Turkish delight, paprika, cinnamon gum and a tin of spices.

With its laid-back demeanor, chic décor and tasty, affordable food, Comptoir Libanais have tapped into the zeitgeist and conquered a niche culture-hungry Londoners will lap up. Look out Leon.