Cabernet a "cornerstone for Chile's future"

Australian winemaker and consultant Brian Croser has spoken out in praise of Chilean Cabernet Sauvignon, calling it “a cornerstone for the future of Chilean wine.” As reported on thedrinksbusiness.com, speaking at the inaugural South American Wine Workshop in London, organised by Santa Rita Estates, Croser said Chilean Cabernet was even more distinctive than Napa Cabernet.

“Chilean Cabernet Sauvignon is completely unique and can’t be replicated. Its unmistakable Cabernet nature is a real advantage for Chile, and a strength to build upon,” Croser said. “The best examples are subliminal, with grainy tannins that impart a savoury note on the finish,” he added, warning that the big challenge for Chilean vintners is to learn how to tame their tannins. “They’re a long way off at the moment,” he admitted.

Croser believes the uniqueness of Chilean Cabernet comes from the extreme differences between day and night temperatures, which gives the grapes longer to build up pyroxene and phenols, allowing for the steady build up of tannin. “Chile has recognised the challenge of the Cabernet varieties and the unusually high diurnal range of the terroirs and continues to refine the vineyard management, creating some of the world's most unique and distinctive Cabernets with subliminal briarines and evolved savoury tannins,” he said.

He referred to the Cabernet family of grapes, including Cabernet Sauvignon, Cabernet Franc, Merlot and Carmenere as “Chile’s backbone”, calling Cabernet Franc the “mother grape” and imparter of the green gene. “Chile’s fine wine future lies in refining its traditional Cabernet offering from the Central Valley and at the same time exploring what the county’s other terroirs have to offer,” he said, citing Chile’s “matrix of terroir” as having great potential for other noble grape varieties, including Riesling, Syrah, Chardonnay and Sauvignon Blanc.

He also name-checked Temuco as a region to watch, predicting it will become an important place for sparkling wine production. “The future of Chilean sparkling wine lies in the south, towards the mountains, in drier areas like Temuco. I’m certain there’s a future for Chilean sparkling wine down there, all we need is a producer brave enough to start planting,” he said.

Meanwhile, Chilean wine expert Peter Richards MW spoke out in defence of Carmenere, calling it “a first division grape" that speaks of its origins. “We have to remember how new it is. Quality will increase in time and lots of different kinds of Carmenere will emerge, as it’s a naturally varied variety,” Richards said. Tim Atkin MW also defended the grape: “I’m coming round to it, especially in blends. The problem with Carmenere is its green character, which needs to be addressed. The trick is being able to manage the tannin,” he said.

Ravenswood wine dinner at 28-50

Last week the King of Zin Joel Peterson of Ravenswood Winery in Sonoma, California, was in London to host a wine bloggers dinner at Xavier Rousset's wine workshop 28-50.

I remember quizzing Xavier about his next venture during lunch at the Fine Wine 2010 conference in Ribera del Duero in May. He mentioned he was about to open a sister restaurant to Texture, but this time he wanted to focus on wine, so had christened it 28-50 after the latitude at which vines are grown. Six months on and the place is heaving with both the wine trade and city slickers day and night - smart move.

Beginning with a glass of fizz, our group is soon ushered upstairs to a long wooden dining table overlooking the bistrot below. In the far corner I spot Tim Atkin and Victoria Moore, who were no doubt discussing the latest broadsheet wine writer transfers. It's like the end of the football signing season - everyone's on the move. Moore has just been snapped up by the Telegraph, and Fiona Beckett has filled the vacancy at the Guardian. So where does that leave Johnny Ray?

I digress. After an enjoyable interview that morning, I was keen to find out more about Peterson, so saddled up next to him. He'd brought seven Zins with him, from the wallet friendly 2007 Vintners Blend (£7.99), to the top end Barricia Zinfandel (£24.95). In keeping with his 'No Wimpy Wines' mantra, we were to drink Zinfandel from starter to pudding, so I chose the boldest dishes on the menu, to give them a chance of standing up against the big, bold, peppery beasts.

Peterson is a consummate raconteur, and spent most of the evening recalling tales from his winemaking past, from picking four tones of grapes during a thunderstorm under the watchful gaze of three ravens, and sleeping in fields in Spain, to being propositioned by a masseuse in the Middle East. During the starters (delicious duck rillettes for me) he tells me the winery is named after the leading man in Donizetti's opera Luica de Lammermoor - Sir Edgar, Master of Ravenswood.

'The raven is seen as a trickster god to the American Indians, so it wasn't a large leap to adopt it as my totem', admits Peterson, who promises free tastings for life to anyone who has the distinctive Ravenswood symbol permanently inked.

The winery has been making some of the world's best Zinfandels for over 30 years, and Peterson still seems fiercely passionate about California's native grape. Moving on to the main event, a suitably un-wimpy onglet of beef, the wines come into their own. Both the Tedelshi 2006 and Barricia 2006 stand out - full of sumptuous, brambly black fruit, pepper and spice, they are big, bold and grippy without being monsters, with a lovely licorice finish. I'm amazed at how smooth, soft and approachable the wines are, despite their high alcohol levels.

The final wine - Lodi 2005, is served in a mammoth bottle by a brave waitress. In our interview earlier that day, Joel had championed Zinfandel as a wine capable of ageing gracefully, describing how the best wines take on Northern Italian tar and roses qualities. Curious to experience the flavours first hand, I was disappointed not to see an old Zin in the line up. Perhaps I'll have to look into getting that tattoo...

During desert, our veins pumping with Zinfandel, Joel and I engage in a spiritual discussion. He concludes that the world is a magnificent accident and that we have to live as if there is nothing else afterwards, making each day count – an exhilarating and liberating philosophy. 'Did you always feel that way?', I ask. 'Hell no, I was a Christian fundamentalist at university, but a bit of Peyote put paid to that'.

The Semillons rise again

My eyes are on stalks and my mouth wide open. In front of me are eight middle-aged men in double-stringed red thongs. Their powder white skin paired with the red G-strings makes them look like Santa's little helpers.

With cocky, come-hither expressions, they begin thrusting and gyrating in their thongs, and 300 excited women scramble to the stage to catch a glimpse of The Semillons in action. I've never seen so much flesh.

The hotly anticipated strip tease has been five years in the making. In 2005, Decanter's Tasting Director Christelle Guibert rounded up the original Semillons troupe, made up of such wine world luminaries as The Times wine critic Tim Atkin, importer Michael Palij, the aptly-named Wines of Chile head Michael Cox and Waitrose wine buyer Andrew Shaw, who stripped down to their birthday suits to raise money for Everyman, Europe's only male cancer research centre.

Five years on, Christelle treated us to some fresh blood in the form of the (even more) aptly named Barry Dick, wine buyer for Sainsbury's, bright young sommelier Gearoid Devany, Vinopolis MD Rupert Ellwood and The Independent's wine critic Anthony Rose. As soon as the guys hit the stage, high-pitched screams bounce around the room like ping pong balls. It's a full on oestrogen fest, like some large scale, slightly terrifying hen night. The troupe, who clearly think they are gods by this point, react positively to their warm reception, throwing themselves into the routine with brio.

Michael Cox and Anthony Rose are my side of the stage. Cox is in his element, flexing his muscles and gyrating his hips like his life depended on it. A Chippendales contract surely beckons. Rose however, seems slightly more aware of his semi-naked state. Tim is a natural, and throws some impressive shapes. His facial expressions veer between agony and ecstasy. Barry Dick, with his buff, sporty body, gets the loudest screams and the most bottom pinches.

Aside from the excitement of the main event, all manner of other treats await. Ex French rugby international turned Languedoc winemaker Gerard Bertrand is auctioned off at half time. I'd interviewed design and restaurant mogul Sir Terence Conran earlier that day and told him about the auction. He responded with a raised eyebrow. 'So what do you get for your money then?' He asked. 'I'm not sure yet', I replied. Looking dashing in a charcoal grey suit, Bertrand is sent up on stage and made to wait while the auction takes place. He went for £120 to a lucky blonde. I later spotted her glued to him next to the Comte wheel.

The Semillons were the talk of the Decanter office the next morning. I don't think I can ever look at Anthony Rose and co in quite the same light again. The phone rings. It's Sir Terence Conran. 'So how did your auction go then?', he asks me. 'He went for £120', I tell him. 'And what did the winning bidder get for that then?', he asks, intrigued. 'A dance and a quick chat afterwards', I say, 'For £120 I would have wanted a lot more than that', he says, laughing, and puts the phone down.

Fine Wine 2010, Ribera del Duero

I've just got back from three intense and exciting days at the Fine Wine 2010 conference in Ribera del Duero organized by market research company Wine Intelligence.

The conference drew some of the wine world's big guns, including Michael Mondavi, Olivier Krug, Serge Hochar and Ernst Loosen, who all tried to define the term 'fine wine' and what it means for the consumer.

Fresh from judging at the IWC, Tim Atkin MW opened the conference with an engaging speech urging for a new definition of the term 'fine wine' beyond Bordeaux and called for an end to the wine world's obsession with Bordeaux, or 'Bordeaux-itis' as he christened it.

Atkin warned about the wine world becoming like Wall Street, accusing investors of losing sight of wine's true purpose: ‘Fine wine is becoming a source of investment. We’ve lost sight of what wine is all about – pulling a cork and enjoying it with friends. Wine is in danger of turning into a commodity to be traded’.

He also accused wine writers, particularly American journalists, of talking about wines with 'an absence of context’ and only considering what was in the bottle. ‘American wine writers have forgotten where wine comes from. I find it unbelievable that Robert Parker only visited Spain for the first time last year.' The speech ended with a call to arms for journalists to travel to where the wine is made and get out into the vines - to experience the terroir first hand.

Fifth generation winemaker Mark Beringer, currently at the helm of Artesa Vineyards in Carneros, talked about a desire for simplicity in winemaking and going 'back to basics'. He touched on the increasing importance of organic, sustainable winemaking, and a growing trend for vegetarian and vegan wines.

According to Beringer, 2010 is a golden time for consumers, who look set to benefit from the dramatic discounting taking place in California. 'There is great value coming out of California at the moment. With less wine bring made at the premium level, the top wines are moving down through the pyramid and becoming more affordable'.

'Pricing is a real issue in Napa as there isn't much middle ground. The top wines aren't selling and are leaving wineries in a mess. It's great news for the consumer. Winemakers are becoming even more selective, and the reserve wines are truly reserve quality'. Beringer ended by stressing the importance of social media as a way of reaching out to consumers, taking a picture of fellow speakers Serge Hochar, Pablo Alvarez and Olivier Krug and posting it on twitter as he spoke.

Serge Hochar of Château Musar described fine wine as 'a state of mind', but conceded that a fine wine needed 'elegance, finesse, complexity and ageing potential' - recurring buzz words during the conference. He spoke of the globalization of the wine world, the importance of emerging markets like China and India, and the need for winemakers to visit these places to tell their story. Hochar also called for transparency in winemaking, and a need to make wines 'without edifice or make-up'.

Pablo Alvarez, of icon Spanish estate Vega Sicilia, spoke of the need for Spain to learn how to market their wines better, and to shout about them more unashamedly. Imbuing wines with personality was paramount, he said, as grape character is the only thing that can't be copied. Alvarez called for Spanish winemakers to get their wines out on the global stage and give them more of a presence, as phenomenal wines are coming out of the country.

Caballeros dinner at The Dorchester

Being a huge fan of Spanish wine, I was delighted to get a phone call last week from a winemaker friend, Amelia Aragon, inviting me to the annual dinner of the loftily-titled Gran Orden de Caballeros del Vino at the Dorchester.

Accepting her offer without hesitation, I set about trying to find a suitable dress for the occasion. I mentioned the dinner to a colleague and she looked and me pitifully. 'Poor you', she said, rolling her eyes. 'All I remember are the interminable speeches. Make sure you're sat near the back so you can talk.'

Undeterred, I was determined to have a good night. Donning my hot pink ruffle dress in the office after work, I hotfooted it over to Park Lane, and tried my best to glide swan-like into the ballroom, passing a smiling, tuxedo-clad Steven Spurrier en route.

The Gran Orden de Caballeros del Vino was set up 26 years ago as a way of promoting and developing knowledge of Spanish wines in the UK. Each year two new members join the likes of Oz Clarke and Tim Atkin and are invested into the order for their exceptional contribution to the promotion of quality Spanish wines in the UK.

Tonight we were to witness the knighting of the order's two newest recruits. Grabbing a glass of Cava, I made my way over to my menagerie of a table. It was full of familiar faces: a radiant Amelia, her cheeky-looking brother Oscar, head chef of Brindisa José Pizarro, M&S winemaker Jo Ahearne and Richard Bigg, the charismatic owner of Spanish restaurant Camino and soon-to-open Sherry bodega Bar Pepito. I was sat next to a tall, jazz-loving Fin called William, a Cambridge undergraduate, who got me talking on subjects as diverse as the merits of atheism and the orgasmic potential of Mozart.

We got to enjoy some sensational wines, my favourite being the Bodegas Naia Naiades 2006 from Rueda. Recommended recently by José Peñin in Decanter as one of the Spanish whites to watch and winner of the best white over £10 in the New Wave Spanish Wine Awards '09, I was blown away by its complexity and depth. Made from Verdejo from pre-phylloxera vines then fermented and aged in new French oak for 8 months, the result is a vibrant mix of ripe, honeyed fruit, structure and richness.

The food was outstanding too, from the seafood 'guisito' with Jerusalem artichoke and blood orange foam to start, and the perfectly pink loin of salt marsh lamb with wild mushrooms for main, to the divine desert: pear poached in Moscatel with shavings of dark chocolate.

Other wines in the line up included a delicious golden Manzanilla Pasada Pastrana from Javier Hidalgo and the Chivite Colección 125 Vendemia Tardía 2007 from Navarra. The sweet wine from 40-year-old vines had hints of ginger that lingered in the long, luscious finish.

While I was busy enjoying all this liquid pleasure, the new Caballeros were announced: Decanter's own Sarah Jane Evans MW and Pablo Alvarez, head of iconic Ribera del Duero producer Vega Sicilia. Before the new recruits were knighted, the current Caballeros paraded into the ballroom in their fire engine red robes and gold-rimmed mortarboards. Cue graduation flashbacks.

The evening was rounded off with Spanish cheese and a speech from Allan Cheesman about time, energy and money, and how you never have them all at once. As the Brandy de Jerez made its way round I made a dash for the exit, swapping my Cinderella shoes for a practical pair of ballet pumps for the tube ride home. Leaving the ballroom behind, I fished my i-pod from my bag and stepped out into the chilly spring night, aware of what a wonderfully paradoxical life I lead.