Nuno Mendes, Viajante

The other week at Taste of London, I caught up with the affable, Portuguese-born, chef-patron of Viajante at the Town Hall Hotel in Bethnal Green –  Nuno Mendes – who told me about bringing his Corner Room to Taste, his love of ceviche, and the trend for ramen restaurants about to hit the capital. 

Novikov

I’m standing in a snaking queue populated by gazelle-like glamazons in six-inch Louboutins and slinky Issa dresses. Peering behind me, I spot former England football coach Sven-Göran Eriksson in a charcoal grey suit. He notices that I’ve clocked who he is and seems pleased at the recognition, beaming back at me with a toothy grin. We are in the coat queue at Novikov, the newly opened pan-Asian/Italian restaurant of friend of Putin, Arkady Novikov – Russia’s answer to Sir Terence Conran. Opening his first venture in Moscow in 1992, Novikov has steadily built up his restaurant empire, and now has over 50 sites in the city – including the GQ Bar and Vogue Café – under his diamond encrusted belt. Branching out of Moscow, the mogul has chosen to open his first outpost outside Russia in Mayfair.

Audaciously placed opposite paparazzi favourite Nobu on Berkeley Street, the 400-seater is the size of a small country. Manned by a burly black-clad bouncer, the revolving doors reveal a dimly lit bar prettified by the aforementioned glamazons. For Novikov is where the beautiful come to feed. All are tall, tanned, buffed and botoxed. Everyone looks vaguely famous. They probably are. Split into two restaurants, skip the more vanilla Italian and head East to the pan-Asian side, filled with more wood than a lumberjack’s holiday home. Everything that doesn’t move is wooden, from the ceiling and the floor to the tables and chairs, even the vases, home to snowstorms of white orchids, are wooden. I fear if I stay still for too long, I too will be turned to wood. A honeycomb pattern carved into the black wall panel reminds me of Doris Salcedo’s Shibboleth, affectionately known as “Doris’s crack” – the lightning bolt-like fissure that once spanned the length of the Tate Modern’s Turbine hall.

The glass-fronted kitchen is filled with nimble-fingered chefs frantically fulfilling orders. Giant king crab legs poke provocatively out of ice, as if engaged in a synchronised swimming routine. Despite its sprawling size, tables in the Asian side are so tightly packed, I’m privy to my neighbours’ Russian ramblings. From the open kitchen to the trendy lounge music, Novikov has cleverly been carved from the same mould as London’s chicest pan-Asian offerings: Hakkasan, Nobu, Zuma and Roka, like the stepbrother they never wanted. I’d turned up expecting Novikov to be a lesson in style over substance, but was pleasantly surprised by the quality of the food. Split into snacks & soups, dim sum, salads, sushi, charcoal grilled, wok dishes and rice & noodles, having perused the menu online, on asking for our order, I unscroll a sheet of paper besmirched with pink highlighter and proceed to reel off the dishes I desire, waiting for the waitress to flinch. To her credit, even after dish twelve, she kept her cool, diligently scribbling as I rattled them off quick as gunfire.

Round one consisted of an army of colourful California rolls wearing what looked like clown wigs of burnt orange flying fish caviar. Filled with fresh crab meat and just sliced avocado, we were off to a flying start. To follow came an artfully presented plate of new style salmon sashimi in a yuzu soy dressing. Cut into triangles, the translucent slithers of silky salmon were crack to the tastebuds, achingly fresh and lifted by the lemon tang of the yuzu. One of many culinary highlights was the crispy duck salad in an umami-rich Peking dressing. Flecked with jewel-like pomegranate seeds, the still warm duck was perfectly pink and pleasingly crisp, tamed by the yuzu-drizzled leaves into a refreshing, juicy, deliriously good dish worth returning for alone.

Out of the frying pan came golden brown nuggets of rock shrimp with chilli lemon mayo, neatly packed into a china bowl like deep fried popcorn, their light and crispy batter enhanced by a satisfying kick of heat from the dip. One of the only duff notes of the entire meal was the tuna tartare. Molded into a candyfloss pink mound, in a hat tip to Russia, the crest was decorated with a spoonful of Royal Beluski caviar fashioned into a blackberry. The dish had a disconcertingly smooth texture more akin to wallpaper paste than the shard-like fragments you expect from a good tartare. Amplifying the horror was an entire absence of flavour. Equally bewildered, my dining companion stopped shuddering when served a trio of pork su mai dim sum finished with tiny pocket squares of black truffle. Appearing like cupcakes in pleated cases, the meaty morsels packed a serious flavour punch, the juicy interiors complemented by the earthy truffle.

In terms of liquid pleasure, the wine list has a heavy Italian bent, with many bottles borrowed from the sister restaurant’s stock. Happily, our ebullient sommelier went off piste, offering us a bottle of Domaine Schlumberger Les Prices Abbés Riesling 2007 from Alsace, its mouthwatering, off-dry, lemon sherbet and sour apple character refreshed by searing acidity, which, in turn, assuaged the spice in the food. Lingering over the wine, we moved to the main event – the litmus test of any pan-Asian restaurant: black cod. Novikov’s arrived enshrouded in a crisp brown leaf that had to be theatrically unwrapped, revealing an enticing slice of fish gleaming with glaze. Falling off the fork, the ice white slithers were enchantingly sweet. You can’t cut corners with black cod – it needs to lounge in a miso marinade for 24 hours before being cooked, further proof of the substance behind Novikov’s style.

Desserts are an event – I opted for the chocolate orange praline, recalling the interior of a Jaffa Cake, served with a tennis ball-sized scoop of palate cleansing blood orange sorbet. With courses hovering around the £17 mark, reaching a peak at £55 for the 150g seared wagyu sirloin, feasting like an oligarch at Novikov doesn’t come cheap, but the rewards are plentiful. The food is well considered, artfully presented and nearly always expertly executed. Nobu should be worried – the (sushi) knives are out.

Novikov, 50 Berkeley Street, London, W1J 8HA; +44 (0)20 7399 4330

Kyashii

Dining at Kayashii is an extraordinary experience. From the burly bouncer on the door to the blinding white decor, neon lighting and house music on rotation, it feels more like a club than a restaurant. Or, at the very least, a fusion of the two: a clubaurant.

Kyashii's club credentials are no coincidence. Having started life in the basement of the über bling Kingly Club, which opened (and closed) during the recession, the restaurant has taken over the entire site in a bid to make the venue more food-focused.

Its former life as a club is still evident. The bright white tables, plush leather seats and shiny white floor tiles are very Supperclub, or Bond by way of Marbella. It may have lost its disco balls, but Kyashii is very much a place to see and be seen. There's something very mid '90s hip-hop about the place. I can imaging P Diddy and Jay-Z cracking open the Cristal (pre Frederic Rouzaud dispute) and nibbling on sashimi here, shooting club scenes for their latest video.

The space is divided into four dining areas: a ground floor bar with a polished granite sushi counter for casual diners, the 'white room' - with white leather seating and Italian tiled flooring, a bespoke mezzanine level where you can spy on the chefs, and the 'blue room', where I dined, complete with a panoramic electric blue-lit fish tank teeming with tropical fish. Enveloped by the tank, it reminded me of the scene in Baz Luhrmann's Romeo & Juliet when the star-crossed lovers first set eyes on one another through the glass.

Admiring the neon fish as they dart about in the tank, I feel pangs of guilt that I'm about to eat a shoal of their brothers and sisters. It's like having a cattle pen in a steak house. But what of the food? Head chef Jacky Yu (ex-Zuma) is clearly an incredible talent. The menu mixes traditional Japanese fare: sashimi salad with yuzu, black cod tempura, dragon rolls, with more unusual dishes: exquisite yellowtail ponzu with truffle oil, a foie gras sushi set including the standout foie gras beef tataki with nonomi-miso, and pan-fried beef fillet with dynamite mustard sauce.

The food is painstakingly cooked and artfully presented – the sashimi gleams it's so fresh. The dishes seem to mirror the surroundings – flashy and polished; almost too perfect. For those looking to flash the cash at a sleek and stylish sushi venue, Kyashii ticks all the boxes. But there's more to it that mere gloss – it delivers on both the aesthetic and flavour front. Don't let the ostentatious surroundings put you off – Kyashii couldn't be more serious about food.

Kyashii, 4a Upper St Martin's Lane, London WC2H 9NY, www.kyashii.co.uk, around £50pp.

Duck foie gras

Sumosan restaurant review

Nobu and Zuma dominate London's modern Japanese dining scene, gaining column inches as much for their celebrity clientele as for their food. Sumosan is something of a modest younger sister flying slightly under the radar.

Tucked away on a quiet side street off Green Park next to a Vietnamese art gallery, Sumosan's light, airy space is decked out in tasteful beige and lilac. The pared down interiors are very zen-like and calming.

I visited on a Wednesday lunchtime and the place was reassuringly buzzing with a mixture of wealthy Russian expats (the restaurant is Russian owned), office workers and ladies who lunch. Bypassing the á la carte menu offering the likes of seasonal Toro stuffed with foie gras, and sea urchin risotto, I opt for the reasonably priced five course lunch menu for £22.50, with a side of rock shrimp tempura.

Lunch begins with a refreshing cup of miso soup with tiny shiitake mushrooms, that serves as the perfect palate cleanser. Next up is a delicious, umami-rich Kaiso salad crammed with sesame seeds and peanut butter, which I enjoy with a glass of Domaine de Joy Ugni Blanc from Gascony. The rock shrimp tempura doesn't disappoint - made up of heavenly chunks of fried shrimp, lifted by the citrus Yuzu dressing.

A sashimi selection follows, featuring the usual suspects: salmon, tuna (which is air-shipped from the US at -80 degrees), prawn, and richly flavoured white bait, all of which match incredibly well with my crisp, lime-fueled 2008 Hunter's Riesling from Marlborough, New Zealand.

For the main event, I go for the Black Cod with Miso, keen to see how it fares against the Nobu version. I was slightly disappointed by its diminutive size - call it the Kylie Minogue of the fish world, but what it lacked in size it made up for in flavour. Sweet and rich with a melt-in-the-mouth texture, there are few flavour experiences that top that of well cooked Black Cod. It's all consuming, transcendental even, and I feel almost beatific reverence for the fish and the pleasure it produced. A tricky one to match with wine, my 2008 Tasmanian Pinot Noir from Devil's Corner, whilst not harmonizing completely, far from jarred.

Pudding is a decadent affair. I choose Sumosan's signature dish - a white chocolate fondant, which arrives in an exquisitely crafted golden cage made of latticed sugar. Gooey and toothy tinglingly sweet, it tastes like liquid Milky Way and matches surprisingly well with my Thienot 2002 Champagne, for which Sumosan are the sole suppliers.

Although I chose to drink wine, there's an extensive saké list to experiment with. Head Sommelier Jean-Louis Naveilhan offers eight different sakés by the glass, and saké flights – three sakés by the glass for £10.50. Naveilhan is adamant that the rice wine, which should always be served chilled, can be enjoyed throughout the meal, from apéritif to pudding.

Sake tasting at Sumosan

Wine and the City caught up with saké expert Jean-Louis Naveilhan, head sommelier of Sumosan restaurant in Mayfair, to find out how saké is made, from polishing the rice to the importance of the spring water. Like grapes, there are dozens of different varieties of rice, and only the best are used for making saké.

Seven sakés were on show at Sumosan, from the Grand Cru of sakés, Betsukakoi 2009 Junamai Daiginjo, made from rice polished down to 50% of its original size, to the crowd pleasing Pink Nigori Saké Jyunmai that tasted like strawberry milkshake due to the white peach yeast. As with wine, there are entry, mid-priced and premium sakés, and if Naveilhan's sales are anything to go by, the popularity of the transparent drink is soaring in the UK.

Sushi for beginners

My introduction to sushi was something of a baptism of fire. I was a teenager and temping in Grosvenor Square. Feeling incredibly sophisticated in my new role, I decided I needed a suitably grown-up lunch to match.

I picked up a pack of sushi from M&S and took it to the park. Opening the little black box, I was surprised to see a dollop of avocado next to a few pink flecks of ginger. I scooped it up on my chopsticks and munched it. A second later my mouth was on fire. It wasn't avocado, but wasabi! In a panic, I spat it out on the grass with a gasp, much to the dismay of the city boys and girls elegantly nibbling around me.

I've since learnt my lesson, and approach the little green dollops with caution, but after my fiery introduction, sushi has come to be one of my favourite foods. Imagine my delight then, when I was invited to a sushi-making class at Tsuru, a sushi restaurant inches from my office.

Snow-flecked on arrival, I'm quickly offered a warm cup of saké – Honjozo non vintage. It has a sweet nose of vanilla and licorice with hints of aniseed. The palate is totally different - salty and savoury like a Fino Sherry. It's smooth, medium-bodied and dangerously drinkable. After two cups I switch to sesame tea, fearing my knife skills may not be at their peak if I indulge any further.

Our teacher is a tall Thai guy called Yod Bovron, who tells us to handle the rice the way we would a lover. Strips of seaweed are passed round and we work on the rough side, so the shiny side is in view when you eat it. First up we make cucumber maki rolls. Wetting our hands with water and slapping them together like Sumo wresters, we grab a clump of rice and cover the seaweed with it, leaving a space at the top for folding. It's harder than it looks, and I make a royal mess.

We then sprinkle the rice with sesame seeds and strips of cucumber. Now for the hard part: folding. Yod grabs the ends of his bamboo sushi mat, and folds the seaweed into a neat roll in three quick movements. My rolling techniques are not up to scratch and my maki doesn't meet in the middle. I turn it over and put in on the tray before anyone notices.

Next up are California rolls, which I have more success with. We cover a strip of seaweed with rice and decorate it with fiery orange flying fish eggs, that burn like jewels in the light. Flipping it over, we decorate the other side with avocado, strips of salmon sashimi and special sushi mayonnaise. I give mine a generous squirt, then roll it quickly, so the seaweed disappears, covered by the outer layer of rice. It looks mouthwatering, but we have more sushi to make before I can try it.

By the time we're onto the nigiri (strips of sashmi on a ball of rice), I'm on a roll. Yod shows us how it's done, adding a dab of wasabi to the sashimi, then squishing, poking and prodding it into shape. We're all too hungry to resist temptation, and pop them in our mouths. They're delicious. Last on the menu are the prawn tempura hand rolls. I make a bed of rice across one side of the seaweed and add asparagus, mayo and the tempura, then roll it from corner to corner like an ice cream cone.

We're given our maki and California rolls back. They look so pretty on the plate, it's hard to believe I made them. They don't stay on the plate for long, as I'm ravenous. The hand roll and California rolls are particularly delicious – must be the mayo. Sushi only stays fresh for four hours, so it's perishable personified, but if you can spare the time to make it, your tastebuds will be richly rewarded.