Top 10 restaurants of 2012

As we bid farewell to 2012 and usher in 2013, it seems like an apt time to revisit my top 10 meals of last year. It was a spectacular year for food that saw the rise of gourmet junk food through joints like Bubbledogs in Fitzrovia and Wishbone in Brixton. Meanwhile, our obsession with burgers led to two new Burger & Lobster sites and the openings of MeatMarket in Covent Garden, Honest Burgers in Soho and Dirty Burger in Highgate, proving the trend is showing no sign of slowing. Londoners also got ravenous for ramen, with Bone Daddies and Tonkotsu in Soho leading the noodle charge. Finally, Nuno Mendes of Viajante's prediction that Peruvian cuisine would make waves in the capital came true in the form of dynamic duo Lima London and Ceviche, with Pisco Sours and mouth-puckering ceviche taking centre stage.

Rather than focusing on new openings, I've rounded up my top 10 meals of 2012. While the majority are in London, two were enjoyed in Champagne and one in Modena in northern Italy. Each earned their place on the list by offering an all-round experience, from the setting and the ambiance to the food, wine and company. While exemplary cooking can be enjoyed in isolation, it is the unique dining experiences of my top 10 that sets them apart. 

10: Davíd Muñoz at Ibérica Canary Wharf

Mohawk-sporting Spanish chef Davíd Muñoz set London alight for one night only at Ibérica Canary Wharf in October, when the restaurant was closed to showcase the experimental food from the young chef''s 2 Michelin-starred restaurant DiverXO in Madrid to a cherry picked group of food writers. From amuse bouche to petit fours, Muñoz's adventurous menu was filled with outrageous flavour combinations, the majority of which he pulled off with aplomb, from a crispy oxtail sandwich with baby eel and japapeños (pictured), to wild boar "civet" of black cod with parsnip and liquorice. Beg, steal or blag your way to a reservation at DiverXO for a ringside seat to the Muñoz magic. 

9: Bob Bob Ricard

Owned by immaculately attired Russian, Leonid Shutov, Bob Bob Ricard is a restaurant for suffers of Golden Age syndrome. Ushered in by a black cloaked doorman, a night in its clutches is a transcendent experience. Bob Bob's lavish interiors evoke an Edwardian Orient Express carriage, from the plush midnight blue booths complete with pleated lampshades and velvet curtains, to the smoked Venetian mirrors and brass railings – I could dine out on the interiors alone. 

But what of the food, you cry. Portions are small and perfectly formed, from the signature three cheese soufflé  and textured venison tartare to a bath bomb-like exploding Eton mess and divine salted caramel ice cream. BBR is a one off – a flight of fancy back to an age of elegance. 

8: Salt Yard 

Salt Yard makes up a third of Simon Mullins and Sanja Morris’ Spanish restaurant empire, with Dehesa in Oxford Circus and Opera Tavern in Covent Garden completing the trio. On my visit one drizzly Sunday lunchtime, head chef Andrew Clark – a towering figure with a sailor’s beard, heavily inked arms and a smile that stretches to Gibraltar, whipped up an eight-course menu highlighting Andalusia’s rich culinary history, including numerous hat tips to the Moors.

Highlights of the feast included a lip-smackingly fresh sea bream ceviche with a scoop of gazpacho sorbet hovering atop the dish like a frozen egg yolk, and soft shell crab with saffron aioli that danced on its black slate atop squid rings, spindly legs splayed. Perhaps the most Moorish of the octet was chargrilled quail with molasses and pomegranate seeds that glinted like rubies. Like Davíd Muñoz, energetic young Clark is one to watch on the Spanish food circuit.

7: Madame Bollinger's house 

In March, I was lucky enough to be invited to Bollinger to take part in the Champagne house's annual vin clairs tasting. During the visit, a small group of us dined at Madame Bollinger's house, which has been kept the same since her death in 1977, from the wild boar heads on the walls (the forests in Champagne are full of them), to her mint green dining room. The food was exquisitely presented and packed with flavour, from red mullet in a creamy sauce to a tart  raspberry mille feuille, all expertly matched to different wines in the Bollinger range, proving that Champagne can be enjoyed throughout a meal. 

The highlight chez Lily Bollinger were two chunks of vintage Comté from cheese maestro Bernard Anthony, France's Comté king. Rich, grainy, creamy and nutty, it proved a sensational match for Bollinger R.D. 1996, the cheese echoing the intense, nutty power of the wine in perhaps the most inspired food and wine match of the year.

6: Viajante

Two of my top 10 meals of 2012 took place on the same day. Dinner at Viajante, Portuguese-born Nuno Mendes’ Michelin-starred restaurant at the Town Hall Hotel in Bethnal Green, is an edible journey taking in a kaleidoscope of colours, textures, temperatures and flavours from the safety of your pale blue chair. The softly spoken, raven haired, generously inked, contagiously passionate Mendes has been christened the Heston of Hoxton due to his fondness for molecular techniques.

Hightlights of this 14-course feast (if you count the amuse bouches) were plentiful, but those that stand out most vividly in the mind include a salty and scandalously moreish godal olive soup served as chilled as a Bond Martini – a triumph of style and substance. Potato with yeast meanwhile, attacked the taste buds with razor-thin fatty folds of intensely porcine Ibérico pancetta wrapped gossamer-like around a small potato, while squid with pear caramel and swooshes of squid ink was reminiscent of both Japanese calligraphy and Spanish Surrealist painter Joan Miró. 

To cap off an unforgettable experience, an ice-cold chunk of vanilla and extra virgin olive oil the size of a toffee was presented to me by the magician himself on a white stone. Told to eat it straight away, despite its sub-zero temperature, in the mouth it rewards with an unctuous texture and rich, creamy flavour perfectly marrying sweet and savoury. I can't wait to see what Mendes does next. 

5: Hibiscus

While he may have caused a storm in a saucepan late last year for laying into food blogger James Isherwood for deigning to criticise his food and giving him a 3 out of 5 rating, there is no denying that tempestuous and exuberant French chef Claude Bosi has talent. The only thing that lets his Mayfair restaurant Hibiscus down is its airport lounge decor - a sea of beige and wood panelling, but this is soon to change as the restaurant is currently closed for a makeover.

Bosi's dishes are daring and unapologetic, from yuzu and miso croquettes so addictive, I'm suspicious they might have been laced with crack, to mackerel tartare with a layer of button mushroom cream prettified with edible flowers amid shards of almond sticking out of the top like shark teeth. When eaten together, the result is a rich, creamy and perfumed mouthful given texture by the almond shards. A pleated ravioli stuffed with spring onion and aromatic Kaffir lime served with a buttery, broad bean and mint purée proved equally intriguing.

4: The Ledbury

In December I spent a heavenly night at two Michelin-starred restaurant The Ledbury in Notting Hill, run by indefatigable Australian cheff Brett Graham, at a Krug dinner hosted by Olivier Krug and Bordeaux Index. Unoriginal as I might be, I can't praise The Ledbury enough. There is something magical about it. When I walked through the door, the affable manager remembered my name - it's little touches like this that turn great restaurants into outstanding ones.  

And so to the food. As it was a Champagne dinner, a lot of thought had gone into the food and wine matches, from a citric roast scallop dish with pumpkin, clementine and ginger, which matched incredibly well with multi-vintage blend Krug Grand Cuvée, to a meaty hunk of native lobster in a nutty Amontillado sauce and an unapologetically decadent chicken breast with Parmesan and generous shavings of white truffle, which paired perfectly with a glass of dessicated coconut and lemon sherbet-fuelled Krug 1998. It will be interesting to see where The Ledbury lands in this year's World's 50 Best Restaurant list.

3: Les Crayères

In November I was sent into orbit courtesy of Dom Pérignon and its ebullient cellar master, Richard Geoffroy, who invited a select group of wine writers to sprawling 19th century, 5 star château hotel Les Crayeres in Champagne for the night to test the effect of temperature on the flavour profile of DP at the hotel's 2 Michelin-starred restaurant, a magnificent, chandelier-filled room boasting verdant tapestries, swagged curtains and a grand dining table cutting through it.

Over the course of two hours, eight different dishes, from bracing saline oysters in a seawater granita, and a creamy mussel soup, to tea smoked basmati rice with mushroom tobacco, and an almond-flecked lamb tagine, were served to compliment the aroma and flavour differences in Dom Pérignon Oenothèque 1996 at eight different temperature stages, starting at 8 degrees and ending at 15/16º. 

Fascinatingly, there were tangible differences in the wine at each of the eight stages, moving from mineral at 8º, honeyed at 9º, zesty at 10º, buttery at 11º, earthy at 12º, truffly at 13º, smoky at 14º, and nutty at 15-16º. To Geoffroy's delight, I offered that the wine's evolution could be compared to the different stages of seduction, as it moved from being shy and tight to gloriously expressive.

2: A Taste of Noma at Claridge's 

A close contender for the top spot, Rene Redzepi's 10-day stint at Claridge's last summer was met with much fanfare. Under pressure to create a headline-grabbing dish to keep his fans happy and silence his critics, Redzepi didn't disappoint. On arrival, guests were offered a kilner jar filled with cabbage, which, when popped open, revealed an army of ants crawling across the lime green leaves, the odd ant or two getting stuck in globules of creme fraiche. Having mustered the gumption to put one of the critters in my mouth, I'm rewarded with a pleasing taste of lemongrass, as they share a chemical compound.

Meanwhile, a plant pot filled with edible flowers, carrots and radishes indulges the inner child. Told to use our hands, I feel like Peter Rabbit running riot in Mr. McGregor’s garden as I delve into the pot and unearth chunks of edible soil made from hazelnuts, rye, malt, beer and butter. Slow roast celeriac in a dense truffle sauce as black as squid ink, is one of the most delicious things I've ever put in my mouth. The ensemble is comfortingly autumnal, like shoving your nose deep into the forest floor and breathing in a lungful of earthy air. 

The main event: Romney Marsh neck of lamb marinated for 24 hours in pea miso, then cooked for a further 24 – is achingly tender, falling apart at the sight of a knife, and unashamedly rich in flavour, the sweet, fatty meat served with cooling milk curd and crunchy vegetables smoked Noma-style on Claridge’s roof. Technically immaculate, charmingly playful and exquisitely presented, while a trip to Noma remains a distant dream, my taste of Noma lingers sweeetly in the mind.

1: Osteria Francescana

There could only ever be one winner. My number one meal of 2012 was a bizarre and beautiuful expeirence I'll never forget. During a press trip to Modena, I was taken down the rabbit hole at the 3 Michelin-starred Osteria Francescana, voted the fifth best restaurant in the world at this year’s World’s 50 Best Restaurants awards. Headed up by the excitable, bespectacled, ever-playful Massimo Bottura, the 11-table, 28-seater restaurant is so tiny, it feels like you’re in Bottura’s front room, having been invited to a surreal dinner party. Though Bottura’s dishes are inspired and informed by Italian produce, with Emilia-Romagna his faithful muse, they’re light years away from the rusticity of an osteria.

Highlights of the magical meal were plentiful, from a gleaming fillet of Po River eel and a hunk of swan-white Alaska black cod with a soot black roof fashioned from vegetable ash swimming in a pool of squid ink broth so opaque it looked like glittering crude oil, to signature dish Five Ages, Textures and Temperatures of Parmigiano Reggiano, an ethereal composition of Parmesan sauce, mousse, foam, crisp and air aged between 18 and 50 months and served at varying temperatures, from stone cold to womb warm. 

Meanwhile, fleshy folds of  soft, supple and sweet five-year-old Culatello ham paired with an amber bottle of 1971 Château Gilette Sauternes fragrant with almond, quince and apricot was divine. Ever the sourcerer, Bottura ended the feast on a savoury note with a hazelnut-coated foie gras lollipop fashioned into a mini Feast. If only Mr Whippy vans served them...

Nuno Mendes, Viajante

The other week at Taste of London, I caught up with the affable, Portuguese-born, chef-patron of Viajante at the Town Hall Hotel in Bethnal Green –  Nuno Mendes – who told me about bringing his Corner Room to Taste, his love of ceviche, and the trend for ramen restaurants about to hit the capital. 

Pret a Diner

I’m in an empty hallway with soaring ceilings. In front of me, a staircase lined with flickering candles leads up to an illuminated red cross in a vision hauntingly similar to the tragic final scene in Baz Luhrmann’s Romeo and Juliet. At the top of the stairs I’m greeted by a lithe, long-haired, mustachioed man who looks more musketeer than maître d’. He leads me into an expansive, expensive room in this, our setting – 50 St James’s Street. Designed by Benjamin and Philip Wyatt, the brothers behind the Drury Lane Theatre and Duke of York’s Column, the building began life as a gaming house in 1828, oft frequented by the Duke of Wellington. It later went on to become the Devonshire Club – a meeting place for young liberals and home to art historian, antiquarian and man of letters Sir Horace Walpole.

Continue reading at The Arbuturian.

Fleeting eateries: pop-up restaurants

When Michelin star-spangled American chef Thomas Keller announced he was to launch a pop-up version of his landmark Napa Valley restaurant The French Laundry in a section of Harrods’ Georgian Restaurant for ten days in October and charge customers £250 a head for a seat, British gastronomes wept with both joy and despair. That such an acclaimed chef would set up shop on our shores is testament to the strength of Britain’s burgeoning pop-up scene, but his £250 price tag rendered the experience attainable only to the super rich. In the most ambitious project to hit London’s temporary dining scene, the 70-cover Californian institution, lauded as America’s best restaurant, will be faithfully replicated in the luxury department store, with Keller offering a nine course tasting menu for those lucky enough to land a reservation. “Pop-ups are a lot of fun, but they’re usually done in less than pristine environments and are almost like the thief of the night,” Keller says. “It’s an enormous amount of work, but what’s better than combining The French Laundry with an iconic property with world-class appeal?”

The project came into fruition after Harrods approached the Yountville-based chef last spring. “The energy, excitement and commitment behind this project is extraordinary and sets another benchmark for what a pop-up restaurant can be,” Keller enthuses. Wine, which will conveniently come from the expansive Harrods wine department rather than being outsourced, will be “integral” to the pop-up, with 1,500 bins on offer ranging from £50 to an eye-watering £16,000. Making a cameo on the list will be Modicum, The French Laundry’s own, small production Napa Cabernet, while Michel Couvreux of Keller’s New York restaurant Per Se will be on sommelier duty, tailoring recommendations to suit guests’ individual tastes.

Reaction to the project has been mixed. Such was the outrage on Twitter that Keller was charging £250 for the chance of a London French Laundry experience, that food blogger Sabrina Ghayour decided to create a spin-off, cheekily titled The French Laundrette, and charge only £2.50 a head – 1% of Keller’s asking price, for a seven course tasting menu. Drawing inspiration from Keller’s signature dishes, the supper club will open for one night only – Sunday 2 October, at The Chancery restaurant in the City of London, with all donations going to Action Against Hunger. Ghayour launched the event via Twitter, highlighting the importance of the social media site not only for the survival of pop-ups, but also the creation of them. “Twitter is massively important,” says Ghayour. “It allows you to strike up relationships and network with like-minded bloggers. What started off as a joke soon went viral, and I had food and wine suppliers offering to help out, so decided to go for it.”

Social media savvy Naked Wines saw Sabrina’s tweet and quickly got in touch, offering to supply all the wines she needed for free. “It sounded like a really good idea,” says Naked’s Derek Hardy. “We liked that it was for charity and thought Keller’s asking price was extortionate, so we wanted to get behind it.” Diners can opt for a flight of wines to match each dish, or play it safe with a bottle of house red or white. On going to press, the wines had yet to be finalised, but they will all be from lesser-known, independent producers from France, New Zealand, Italy and Spain. “Wine will be pivotal in raising money for charity,” says Ghayour, who has yet to decide how much she will charge for it. Boutique Hammersmith distiller Sipsmith has also stepped in, providing the gin and vodka for the complimentary arrival cocktails. “The French Laundrette shows exactly what social media can do,” says Hardy. “Of course it will be at a cost to us, but we’re a community and we help each other out. It’s a fun project to be involved in. London’s pop-up scene is electric at the moment – there’s so much talent being unearthed.”

While most pop-ups have the lifespan of a dragonfly, Roganic in London’s Marylebone is stretching the definition with a two year venture. The brainchild of Simon Rogan, of Michelin-starred L’Enclume in Cumbria, Roganic prides itself on locally sourced, (preferably foraged), seasonal organic ingredients. Diners can opt for a six or 10 course tasting menu whipped up by ambitious and outspoken 25-year-old chef Ben Spalding, whom Rogan has handed the reins to. The project came about when Rogan was offered the Blandford Street site by an estate agent with two years left to run on the lease. “The quirky underground feel of the space fitted with what we wanted to do. I like the freedom a pop-up brings. It’s not about drapery and expensive lighting; it’s about what goes on the plate.”

Rogan believes Roganic’s focus on vegetables signals the next stage in dining out. “People are moving away from prime cuts, and further and further towards vegetables. We offer a 10 course vegetarian tasting menu but the trick is to use the ingredients in such a way that people don’t even realise there isn’t any meat on the plate.” Wine plays an “incredibly important” role at Roganic, according to Rogan, with around 90 bins priced between £26-129 on offer. The focus is very much on organic and biodynamic natural wines, and the list is heavily weighted towards whites due to the abundance of fish on the menu. “We change the list a lot to keep things fresh,” Rogan says. Isn’t it a bit risky focusing on “natural” wines? “They might be dead in a year or two and stop being interesting to people, but the craze has yet to die down. The industry is forever changing, but that’s the beauty of a pop-up – you’re able to push the boundaries and experiment, and if something doesn’t work, it’s easy to change it.”

The restaurant works with a number of suppliers, including Les Caves de Pyrène, Dudley & de Fleury, Fields Morris & Verdin and grower Champagne specialist Vine Trail, with by the glass offerings from the likes of Chapel Down and Dr. Loosen, and bottles from Domaine Albert Mann and Zind Humbrecht. “If you build good relationships with suppliers, then they come to you,” says manager Jonathon Cannon. “We’re in the fortunate position of being able to choose who we work with. Ideally, you should have at least three suppliers – any less is limiting, but it’s harder with a short term venture,” Cannon admits. Pop-ups set up by established chefs are at an advantage in terms of sourcing wine, as they are able to use the same suppliers as their flagship. Les Caves de Pyrène only agreed to supply Roganic due to its strong relationship with L’Enclume, as sales rep Dario Poddana explains: “Roganic’s manager used to be a client of ours, so we were keen to get involved.” Working with previous clients limits the risk for suppliers, who seem wary of one-off projects. “Roganic wasn’t dangerous for us, as it was essentially an existing account. We’d only do one-offs if we receive cash on delivery, but even then we’d rather avoid it and stick to working with people we know and trust.”

Fiona Cochran, marketing director of Bibendum, which supplied 10 wines for Michelin-starred chef Robert Thompson’s Northwood House pop-up during Cowes week last year, agrees: “We got involved with Robert’s pop-up as a result of supplying his restaurant at The Hamborough Hotel. Events like this don’t provide sustainable sales, but taken on a one-off basis can certainly be profitable.” Would Bibendum consider working with another pop-up? “Certainly,” Cochran says, “But it would all depend on the specific opportunity. It can be a great chance to sell wine to a new customer base. The term “pop-up” has become slightly overplayed, but the best examples, such as The French Laundry, can still pull in the crowds as long as they’re creative and offer an amazing dining experience in an unusual environment.”

The recession has forced restaurateurs to think outside the box, and indeed, the restaurant. Pop-ups give chefs an arena in which to innovate their chef whites off, cut costs and experiment without going bankrupt. A pop-up doesn’t need to lay down foundations, it just needs an element of theatre and spectacle. It doesn’t even need a reputation – just enough hungry people to fuel it. Their evanescent nature is a huge part of the appeal, especially in a city like London, which has become almost unhealthily obsessed with the “new”. “There’s real quality coming from the underground dining scene,” says Rogan. “There will always be a market for fine dining, but the way in which food is served is changing. We’re seeing a movement away from stuffy spaces to top-notch food coming out of casual environments.” Pop-ups are a symbol of our fast moving times. Experiences are becoming more and more ephemeral. We have come to demand a forever changing culinary landscape, and the shoestring budget required for a pop-up allows this to happen. As our culture becomes ever more disposable, so does our dining scene. In today’s fluid times, pop-ups are the only thing malleable enough to be able to keep up to date with the day-to-day.

Here today, gone tomorrow

Legendary French chef Pierre Koffmann got the luxury pop-up ball rolling in 2009 with a month-long pop-up at Selfridges. The former three-Michelin-starred chef patron of La Tante Claire replicated his Royal Hospital Road eatery in a marquee on the roof of the department store for 80 lucky guests a night, marking both his return to cooking and the start of the inaugural London Restaurant Festival. The £75 set menu now appears cheap compared to Keller’s £250ar offering.

East London institution Bistrotheque celebrated the excess and glamour of the ‘80s for five days in July with its “88” pop-up in a soon-to-be-demolished postmodern office building in Canary Wharf. Somewhere between a historical document and a soap opera, the menu featured dishes from the culinary giants of the decade. Mumm provided the bubbles, matching each course with a different Champagne. Guests were ferried to the venue Miami Vice style in a speedboat.

UK art gallery Lazarides, owned by the man who launched Banksy’s career, has joined forces with pioneering pop-up caterers Kofler & Kompanie to create a subterranean restaurant, bar and art gallery in the Old Vic tunnels beneath Waterloo station. Opening on 10 October for two weeks, the Minotaur & Pret A Diner project will see Michelin-starred chefs Nuno Mendes of Viajante and Andreas Caminada from Switzerland’s Schauenstein man the stoves at the pop-up, which coincides with the London Restaurant Festival and Frieze Art Fair.

Appleton Estate Bartender's Challenge at Floridita

It always feels decadent going out on a Monday night. There's something mischievous about it, as if it's scandalously early in the week to be getting the party started, but I couldn't resist an invite to sample Jamaican rum-infused cocktails at Floridita, shaken by the best barmen in the business.

I went with Sebastian Harguindey, who runs the über trendy Argentinian steak house Constancia in Tower Bridge. As Monday is his only evening off work, it proved the perfect excuse for a celebration. There's something special about Floridita – it transports you out of London and into the hotheaded hedonism of Cuba. Pink Martini played on my last visit.

The Cuban pleasure den had a distinct Caribbean twist, from the jerk chicken canapés and plantain puddings to the Jamaican Mule cocktails expertly shaken by the three finalist bartenders, in their respective rival bars dotted about the room.

Each bartender had to compete for our vote, by speedily shaking, crushing, stirring, swirling and eventually pouring perfect cocktail after perfect cocktail to the parched throng in front of them. We started at the Viajante bar – London's most talked about restaurant. There's a big buzz about Viajante at the moment; everyone seems to be going, talking about going, or knows someone that's gone. Head chef Nuno Mendes trained at El Bulli, so all sorts of exciting and experimental dishes are scuttling out of his kitchen.

Moving on to Milk and Honey things got a little wilder. Every few seconds bartender Josh Ivanovic would smash a glass in his ambitious, ebullient, almost theatrical performance. The more excited he got, the further away from the bar people edged, but by the end the crowd was five deep with awe-struck converts marveling in his magic. His Mai Tais were to die for. Ivanovic was deservedly crowned the winner, and will represent the UK in the final of the competition in Jamaica.