Pingus trialing natural wine

Peter Sisseck, founder of one of Spain’s most sought after wines, is trialing a natural wine project at Dominio de Pingus in Ribera del Duero. “I want to get my head around the natural wine thing. I’ve been in talks with Marcel Lapierre in Beaujolais and some of the good natural wines guys – it’s not all bullshit,” he told the drinks business. Sisseck is experimenting with making a version of Pingus with no sulphur, but is concerned that this will hamper the wine’s ability to age.

“I want to make wines that can age and it’s very hard to do so with no sulphur. Despite never using much in Pingus, a little sulphur is essential,” he said. Having studied biodynamics at the Rudolf Steiner School in Basel, Sisseck is keen to take things a step further. “The idea of natural wine is interesting. The best ones have lovely purity when they’re young, but they are extremely fragile. Any terroir expression the wines may have can be erased by bret and oxidation,” he said.

The Dane is keen to stress that his natural wine will be treated as a standalone project: “Pingus isn’t about to go natural. I want to see what I can learn,” he said. Pingus has been biodynamic since 2000 and second wine Flor de Pingus since 2005. Sisseck admits that in his single-minded approach in only working with Tinto Fino (the Ribera del Duero equivalent of Tempranillo), he “may have gone too far.”

To redress the balance, he’s started working with small parcels of native white varieties planted in the two Pingus vineyards, and is experimenting with adding small amounts of white into the Pingus blend. Having been “very spoilt” with Parker points in the past, Sisseck believes the appointment of Neal Martin as The Wine Advocate’s new Spain critic after Jay Miller’s departure post “Jumilla-gate” will be a “tremendous help” for Spain.

“Jay favoured things in Spanish wine I’m trying to avoid. He liked very big, inky, in your face, ‘show me the money’ wines. Neal is more into the historical background of the vineyards and will hopefully give more focus to Spain’s terroir message, which has got lost,” he said. 

Joly: Natural wine is "meaningless"

Biodynamic pioneer Nicolas Joly has blasted natural wines as “meaningless”. Speaking at the RAW wine fair in London last month organised by Isabelle Legeron MW, Joly told the drinks business: “The term natural wine is nothing more than a drawer in which to put all the winemakers who didn’t make enough effort to convert to organics and biodynamics. Those naming themselves as ‘natural’ wines are going to have a huge problem in five years and are going to find it extremely difficult to sell their wines.” 

Joly feels that now organic and biodynamic wines have become trendy, everyone istrying to jump on the band wagon. “Natural wine is an empty concept devised for capturing a market. What is ‘natural’? All wines are natural. If you do nothing in the cellar you will have a natural wine but it won’t necessarily be a good wine to drink.”

Joly believes the subject of sulphur use – crucial to the natural wine movement – has been over discussed and incorrectly communicated. “It all depends which sulphur you use. A small amount of volcanic sulphur is actually a good thing for a wine. Wines destined to be shipped abroad that want any kind of life span need sulphur to protect against oxidation – they can’t survive without it. It’s pointless trying to fight the sulphur issue,” he said.

Explaining how biodynamics works, Joly, who runs biodynamic property La Coulee de Serrant in the Loire where he makes three wines from 100% Chenin Blanc, said: “At a physical level, biodynamics can’t work. It works in tiny quantities as a receiver on an energetic level like using a phone to connect to a friend. Being biodynamic connects a vine to that which it needs to express its full potential."

Joly revealed that he believes sound frequencies have a positive effect on stimulating yeast during fermentation. “I play a specific note to my wines in a specific spot of the cellar during fermentation. Sounds dominate matter and stimulate life but very little is understood about it,” he explained. He also believes shape is more important than material when it comes to fermenting and ageing wines, citing amphorae, which are still used in Georgia, as the best shape for maturing wine.

RAW artisan wine fair comes to London

An artisan wine fair for fine, organic and biodynamic wines dubbed “RAW”, will launch in London this May. As reported on thedrinksbusiness.com, the event will take place at the Old Truman Brewery in East London on 20-21 May, and will feature over 150 growers. Classic regions such as Burgundy, Bordeaux and Piedmont will be represented, as well as newcomers like Georgia and Serbia.

Organised by Isabelle Legeron MW (above), co-founder of last year’s Natural Wine Fair at Borough Market in London Bridge, RAW aims to build on the success of the Natural Wine Fair by acting as an independent event open to all producers, importers and official bodies. International grower associations La Renaissance des Appellations and VinNatur will be taking part, bringing with them growers from across the globe.

“My aim is to promote transparency in the wine world in order to support the art of authentic wine production. I want to help people think about what they drink’,” said Legeron. RAW is enforcing a charter of quality that all exhibitors must adhere to – in order for a wine to be on show at the fair, all grapes must have been farmed organically or biodynamically, only indigenous yeasts used and the sulphur levels must be clearly labelled on the bottle.

The fair will include talks from a number of wine expects, including biodynamic ambassador Nicolas Joly of La Coulée de Serrant in Savennières, and José Vouillamoz, co-author of Jancis Robinson MW's forthcoming book The Grape. There will also be a pop-up wine shop.

Monty Waldin and Dr Richard Smart

Biodynamic winemaker and writer Monty Waldin and global consultant on viticultural methods Dr Richard Smart talk to Wine and the City about the pros and cons of organics and biodynamics before a debate on the subject at the WSET headquarters in London. Waldin argues for the motion, with Smart speaking against the promotion of organics and biodynamics in the UK wine trade.

Melanie Tesseron, Château Pontet-Canet

Wine and the City chats to Melanie Tesseron of Bordeaux fifth growth Château Pontet-Canet and Tesseron Cognac at Sketch in Mayfair about the UK release of the super premium Tesseron Extreme Cognac, bonkers Bordeaux 2010 pricing, and the surge in popularity of natural wines.

Brawn

On a recent rainy Wednesday evening, I made the pilgrimage across town on the smooth moving East London line in search of Brawn. The arrival of this Columbia Road newcomer last November – sibling to small plates pioneer Terroirs in Charing Cross, was awaited with much anticipation by foodies and wine nuts alike.

Brawn is the English word used to describe the unloved (and largely uneaten) bits of a pig's head – tongue, cheeks, nose, which are boiled and pressed and wind up sharing terrine space with other piggy parts – trotters, offal. The American term for brawn is the euphemistic sounding 'head cheese'; words that don't move one to hunger. Brawn's brawn is Italian, served in a ravigote sauce. Usually an intrepid eater, I decided to steer clear.

Previous reviews have yet to touch on what a blink and you'll miss it venue Brawn is. Perched on an unassuming corner of Columbia Road, without even a sign to announce its presence, I marched straight past its St John inspired white walls, until, upon second inspection, I spotted my dining companion through the rain spattered window.

The aforementioned dining partner was Stuart Peskett of Square Meal fame: cue red carpet treatment from bread to bed. Hanging my sodden coat on a fire engine red stand, I surveyed my surroundings to a soundtrack of frantic jazz - pared down, industrial, canteen chic, with wooden red-topped tables and chairs that wouldn't look out of place in a primary school. Behind the sunflower filled bar are books dedicated to such culinary luminaries as Daniel Boulud. Speaking of culinary luminaries, shortly after my arrival, Charles Campion bounded through the door in all his Rubenesque glory. It seemed sweet and fitting, such a meaty man dining at, and presumably on brawn.

After Basque saucisse seche and parmesan chunks from the Taste Tickler section of the menu, our carnivorous feast began in earnest with ice cream scoop shaped pork rillettes sprinkled with paprika, served with gherkins on a wooden chopping board, which were rich, creamy and pleasingly porcine. While the chanterelles and warm duck egg yolk on toast and the chili prawns with gremolata both delighted, the hand chopped Tuscan beef disappointed. Served round and red with hunks of bread, it resembled a naked steak tartar, dressed only with a sprinkling of salt. I'm all for raw, but it was crying out for flavours outside of the meat sphere to break up the beefy monotony.

The main event however, didn't disappointed. While Mr Square Meal went for the popular duck confit with puy lentils, which was declared a success, I opted for the slightly more adventurous sounding Mongetes – a Catalan cassoulet containing pork belly, sausage and the large white beans after which the dish is named. Served in a rustic, round, brown dish, the ingredients were hidden under a film of crispy pork skin. Rich, wintry and warming, it doubled as central heating on this unapologetically cold January night.

The menu is playfully put together and changes daily. Some of the dishes require a French dictionary, others shout loudly of their provenance, from Dorset crab to Icelandic line caught cod. Pudding was an exciting affair. After Marina O'Loughlin described them as 'heaven', I had to experience the salted butter caramel crêpes. Heaven is an understatement. Slathered in gooey caramel with a heavy handed sprinkling of salt, the juxtaposition of sweet and savoury was exquisite.

You can't talk about Brawn without mentioning the wine. Backed by the team behind quirky French wine importers Les Caves de Pyrène, Brawn's evolving wine list is deliberately left field, made up of 150 natural and biodynamic bins from a range of regions. Sections are poetically named, allowing you to choose from ‘Stones, Shells & Sea’, or ‘Sunbaked, cicada-loud, ageless country of scrub and terraced hills'.

I tried a plethora of wines on my visit, highlights of which included a Sherry-like 2009 Anjou Chenin Blanc, a clean, precise Jura Chardonnay, and a fresh, minerally Syrah/Carignan blend from Pic Saint Loup in the Languedoc. Opening a bottle of natural wine is like playing Russian roulette, so high is the risk that it will be funky to the point of undrinkable. Co-owner Oli Barker told me the same wines change from day to day, depending on when they are opened, so seek out a biodynamic calendar, and save the detour to Brawn for a fruit day.

Brawn, 9 Columbia Road, London, E2 7RG , Tel: +44(0)20 7729 5692. A meal for two with wine, water and service costs about £80.

Video: Olivier Leriche, Domaine de L'Arlot

Wine and the City catches up with Olivier Leriche, owner and winemaker of Domaine de L'Arlot in Nuits-Saint-Georges, at the Corney & Barrow Burgundy 2009 En Primeur tasting at the Tower of London to talk biodynamics, characteristics of the ’09 vintage, and a growing interest from the Asian market.

Henschke tasting with Simon Woods

Last week on an incredibly soggy Wednesday eve, I braved the relentless rain and skidded across Wandsworth bridge to the West London Wine School for a Henschke masterclass hosted by Simon Woods, who was recently crowned Online Wine Columnist of the Year at the Louis Roederer Wine Writers' Awards.

Fresh from a trip to South West France, an ebullient Woods began by lamenting the typically British weather, though talk soon turned to the eight wine spread from the pioneering Eden Valley winery founded by Johann Christian Henschke in 1868. Legend has it that Johann fled Silesia by boat for the Barossa with his wife and four children, but arrived a single father of two having suffered three bereavements en route.

Having established the winery in Keyneton, Johann's great-grandson Cyril went on to make the switch from fortified to table wines, pioneering single varietal, single-vineyard wines. The winery is now run by 5th generation Stephen Henschke and his wife Prue – he makes the wine, she runs the vineyard. The pair are potty about organics and biodynamics (organic certification is due in 2011), and follow the principles strictly, picking Hill of Grace just before the full moon of Easter and Mount Edelstone a week after.

Other elements to their alchemy include sprinkling crushed eggshells from Henschke hens on the soil, burying cow horns filled with ground quartz, and planting yarrow flowers fermented in a deer's bladder into the soil, then dousing it with nettle tea.

With such whacky winemaking methods, I was curious to see what these lunar wines tasted like. What struck me about the range was that each wine had its own character representing the ever changing challenges of season, place and variety. The Eden Valley is higher, cooler, wetter and stonier than the warm, undulating Barossa, but I found myself drawn to both of the styles.

Highlights included the mineral, fresh and limey Julius Riesling 2007, which Woods described as 'like licking wet pebbles face down on a beach'. The Louis Semillon 2007 also impressed with its textured palate and orange blossom aromas, while the Croft Chardonnay 2007 from the Adelaide Hills had a powerful nose of rich buttered popcorn, peach and nut, and yet had a fresh, rounded, mineral palate.

As for the reds, there were two clear front runners: Keyneton Estate Euphonium 2004 from the Barossa and Cyril Henschke 2004 from the Eden Valley. The former, made with Shiraz and Bordeaux varietals, was Cabernet dominant, with black currant, black cherry and mint upfront. Voluptuous and opulent on the palate, I found notes of vanilla, cedar, smoke, tar, eucalypt, pepper and spice, with a black olive finish. Going back to the Cyril after 1/2 an hour, it had really opened up, with rich black fruit, licorice and mint on the nose and lush, fleshy, velvety fruit on the palate. Rounded and mouthfilling with a lingering finish, it emerged the superior wine. But for three times the price, you'd hope so.

The innovations at Henschke are far from over. After a stint of world travel, Stephen and Prue's son Johann is getting his hands dirty in their various vineyards and putting his own stamp on the wines. And being named Johann, he has some seriously big shoes to fill.