Dom Pérignon Oenothèque dinner at Les Crayères

Last week, I was lucky enough to be invited to take part in an intriguing experiment. The brainchild of Dom Pérignon’s ebullient chef de cave Richard Geoffroy, having entered the “space ship,” as he called it, we were about to shoot into orbit. Every word Geoffroy utters has a touch of the cosmic about it. He speaks in long, often impenetrable sentences, occasionally exciting himself with his own brilliance. He’s a wonderful showman and hugely entertaining company.

Our space ship turned out to be the sprawling, 19^th century 5* château hotel Les Crayères in Reims, set in a 17-acre landscaped park. My expansive room was exquisite, prettified with toile wallpaper, white orchids, scarlet tassels and an ornate gold mirror above the writing desk. Luxuriating in the opulence of it all, I flicked though a book on Titian and Tintoretto left on the coffee table, nibbled the trio of chocolates left out by the maid, then quickly changed for dinner.

Beginning in the tartan clad bar with a palate cleansing glass of DP 2003 – a rich, powerful vintage I’m growing ever fonder of, proceedings quickly moved to the two Michelin-starred Les Crayères restaurant, a magnificent, chandelier-filled room boasting verdant tapestries, swagged curtains and a grand dining table cutting through it. Taking my seat, Geoffroy sprung into action. “I believe temperature has a profound effect on the flavour profile of Champagne,” he offered.

In order to test this theory out, we were to be guinea pigs in a temperature control experiment with the 1996 vintage of DP Oenothèque – one of the best Champagne vintages in recent history. Titled IV-VIII-XVI, the experiment would explore the effect temperature has on the expression and characteristics of Oenothèque ‘96, degree by degree, by slowing down the maturation process of the Champagne and suspending it in its various states for as long as possible.

 The roman numerals refer to the number of glasses used (4), the different temperature stages (8), and the end temperature of the wine (16 degrees). “I chose the 1996 Oenothèque because I needed a vintage with a broad range of expressions, and a wine with concentration and depth. It has the capacity to open out in a range of aromas and tastes, making it a wine that truly breathes. I’m convinced it will lead us to the heart of this journey,” Geoffroy explained excitedly.

Over the course of two hours, eight different dishes, from bracing saline oysters in a seawater granita, and rich, creamy mussel soup, to tea smoked basmati rice with mushroom tobacco, and an almond-flecked lamb tagine, were served to compliment the aroma and flavour differences in the wine at each of the eight stages. With the room temperature set at 20 degrees, we were poured a bottle of Oenothèque ‘96 (disgorged in 2008) into four glasses set in an open topped box with chilled panels to slow down the temperature increase of the wine.

The wines were then tasted every 15 minutes, from left to right and then right to left, with the wine raising in temperature from eight to 15/16 degrees by the end of the night, revealing eight different 15-minute aromatic sequences. Fascinatingly, there were perceptible differences in the wine at each of the eight stages, moving from mineral at 8º, honeyed at 9º, zesty at 10º, buttery at 11º, earthy at 12º, truffly at 13º, smoky at 14º, and nutty at 15/16º.

During the dinner, I made the comparison between the different stages of seduction. At its coldest, the wine was shy and tight – fully clothed if you will. But as the evening drew on and the temperature increased, it began to reveal itself, opening up and becoming more confident and expressive at every stage, moving from steely and mineral, through a wonderful citrus stage and an earthy autumnal period, and finally emerging into its full nutty, honeyed glory.

“I decided to do this because I wanted to push the boundaries of experimentation to lead me to a new understanding of the mysteries of the wine,” Geoffroy revealed at the end of the night, amid declarations that he’s moving into the world of fine and rare tea and is working on a high profile celebrity hook-up that he can’t reveal yet. Which did he think was the ultimate temperature to enjoy Dom Pérignon at its fullest expression? “12 degrees; there’s truth in that temperature.”

Lynch designs for Dom Pérignon

Hollywood auteur David Lynch has hooked up with Champagne house Dom Pérignon on a limited edition design for the 2003 vintage and the 2000 rosé. Called “The Power of Creation”, the design was developed by Lynch, known for surrealist films such as Eraserhead, Blue Velvet and Mulholland Drive, and special effects expert Gary D’Amico.

The duo spent two days in a California studio working with torches, smoke machines and light rays to come up with the final design. Lynch is the second living artist, after Chanel creative director Karl Lagerfeld, to have worked directly alongside the Champagne house.

The eccentric director has also created bespoke designs for 10 Dom Pérignon 2000 Jeroboams and 10 Rosé 1998 Jeroboams. Known for his unconventional work such as the popular TV murder mystery drama Twin Peaks, Lynch admitted he likes going commercial every now and then to experiment with new technology.

Lynch launched the sinister and seductive design in LA this week with Dom Pérignon chef de Cave Richard Geoffroy. Its theatrical gift box is tied with silk ribbons at either end, which raise the curtain on the interior, filled with Lynchian chiaroscuro silhouettes. The limited edition Power of Creation bottles will be available from mid-October, priced at £120 for Dom Pérignon 2000 and £240 for the 2000 rosé.

Richard Geoffroy, Dom Pérignon

Wine and the City talks to Richard Geoffroy, chef de cave of Dom Pérignon, at the DP 2003 launch in London, about Dom Pérignon and food matching, the myth that acidity in wine is linked to ageing, the forthcoming Rosé 2002 launch, and why the Champagne flute is dead.

Dom Pérignon 2003 launched in five cities

Last week, as reported on thedrinksbusiness.com, Champagne giant Dom Pérignon hosted five simultaneous international events in London, Hong Kong, Paris, New York and Tokyo, to launch its 2003 vintage – a controversial release due to the extreme heat of the year. With each event linked by satellite, chef de cave Richard Geoffroy introduced the wine Star Wars-style via hologram, appearing as an electric blue spectral figure and answering questions on the vintage from the five cities in turn.

“Everyone was expecting a very powerful, sun-filled and rapidly maturing wine – a real challenge for the creation of Dom Pérignon,” Geoffroy told us. “It was a risk, which may be rewarded now. It’s at the heart of the house’s values – we’re committed to vintage Champagne. My wish is for Dom Pérignon 2003 to remain one of the greatest examples of the vintage in the history of Champagne.”

Guests in London gathered at the über swish Phillips de Pury auction house in St James’s, where black-and-white stills of the Dom Pérignon vineyards in Hautvilliers were projected onto the whitewashed walls, along with an up-to-the-second Twitter feed from invitees across the five cities. In between sips of the freshly released ’03, we were treated to whipped truffled egg, caviar on beetroot jelly, and seared foie gras.

The 2003 vintage left an indelible mark on the region. After a cold, harsh winter, the initial warmth of spring proved deceptive. On 11 April a severe frost destroyed up to 75% of the Côte des Blancs Chardonnay crop. The unseasonal spring was followed by a heat wave as the region experienced its hottest summer for 53 years, resulting in the earliest Champagne harvest since 1822.

Undeterred, Geoffroy embraced the challenge: “At no moment in time was there any question of giving up. Instead, we seized the opportunity to create the 2003 vintage,” he said, adding, “Intensity is the signature 2003. It’s unique and paradoxical, hovering between austerity and generosity. It has tremendous ageing potential, but is also very enjoyable now as it’s so expressive.” Commenting on the 2011 vintage, Geoffroy was less upbeat: “2011 was less spectacular than 2003, it will be hard to predict how it will mature.” Dom Pérignon 2003 will be available in the UK from February 2012 with an RRP of £120.