Vin Gogh? Artist creates portraits using red wine

A New York artist has come up with a novel way of making the most of her leftover Cabernet Franc – using it to make portrait paintings. As reported on db.com, using a wax resist, 29-year-old Amelia Fais Harnas pours six to seven layers of red wine on top of white cotton in order to achieve the light and shade effects. To ensure the wine dries quickly, Harnas, an avid wine lover, has to work at around 27°C, rotating between four to six portraits at a time.

She discovered how to make the portraits by melting dead candle remnants in a coffee can over a propane grill and painting the wax resist on cotton bed sheets with an old paintbrush. “The idea of painting with wine developed slowly over a couple of years. I wondered if wine could be used as a pigment for my portraits and started experimenting with Cahors,” she told Solent News. “I'd love to be able to say it happened by accident, where I spilled wine and saw Jesus's face in it, but it really resulted from a series of what-ifs.

“I enjoy the challenge of trying to control the unpredictable nature of wine bleeding through fabric in order to channel the equally imprecise nature of a person’s character,” she added. Her portraits, many of which incorporate religious iconography, have been exhibited in New York galleries and Finger Lakes producer Damiani Wine Cellars, whose Cabernet Franc-based Vino Rosso is almost exclusively used in the portraits due to its deep colour and low residual sugar content.

"I’m intrigued by what effect wine quality will have on the works, and plan on experimenting with all sorts of grape varieties and regions to see how the colour, residual sugar and tannin content affect stain penetration, she told The Huffington Post. As to how long the portraits will last, Harnas is unable to give an accurate answer, though believes their ephemeral nature adds to the intrigue.

"I’m doing everything in my power to ensure they last as long as possible, but part of the excitement is how fragile the works are,” she said. Her works sell for up to £650, depending on their size, with a 20" by 16" portrait requiring just one glass of wine. Harnas plans to move to Paris to work on miniature portraits using French wine.

Sir Terence Conran: My Passion for Wine

Wine and the City spends an afternoon with the indefatigable author, designer and restaurateur behind the Habitat furniture chain and London restaurants Bluebird and Boundary, to chat about drinking Cahors with Nancy Cunard in the '50s, smoking Cuban cigars with David Hockney, and a road trip to Burgundy in Bill Baker's Land Rover.

When did your interest in wine begin?

I got into wine while working as a designer for John Harvey & Sons in Bristol – a breeding ground for some of the most influential people in the wine trade: Michael Broadbent, Harry Waugh – you name it. It was the most wonderful induction to the world of fine wine.

How did you develop your newfound passion?

I started drinking quality wine and began to understand the differences between vintages, châteaux and regions. I decided red and white Burgundy were my passions – they have an indefinable decadence about them. I was born in 1931, which was a terrible year for Bordeaux. As a result I’ve been given some disastrous presents. Michael Broadbent gave me a bottle of 1931 Haut-Brion, which was undrinkable vinegar. Luckily, it was a good year for Port.

Are you a Bordeaux or a Burgundy man?

As I get older, I understand the subtlety of wine more. I find Burgundy more French than Bordeaux. Bordeaux has been Americanised and is very concerned with money. Burgundy is more intellectual than Bordeaux. Old Burgundy has such fantastic, complex flavours. I’ve got two cellars under my house in Berkshire, one for white wine and one for red. They’re the perfect temperature and humidity for both wine and cigars.

I’ve heard you’re partial to the odd cigar…

Cigars are another passion – I smoke three Hoyo de Monterrey Epicure No2s a day. I often drink Chilean wine as I find it robust, full of flavour and well priced. I object to paying £500 for a bottle of wine. Being a war child I am still obsessed with value for money. I’ve tried Pétrus on very few occasions. It’s a beautiful wine, but I can’t drink it in a relaxed way.

Who do you like to share your prized bottles with?

My dear friend Bill Baker, who died three years ago, was the best person to drink wine with. I shared a huge number of bottles with him over the years, and bought most of my wine from him at Reid Wines – he was incredibly knowledgeable. He would drive me around Burgundy in his huge Land Rover, loading case after case at every vineyard we stopped off at. When I went on Eurostar with him, he’d bring a big basket full of wine, which we’d crack open during the journey.

Do you see wine as an investment or something to enjoy?

Both. I’m not an investor in wine, but I like the idea of it. If you’re going to invest in anything, then wine and art are the best things to spend your money on because you can enjoy your investment. I collect a lot of art. I buy my contemporaries – Hodgkin and Hockney. Hockney is a big wine lover – I’ve drunk vast quantities of wine and smoked many cigars with him. On a trip to Southern France in the early ’50s I went to stay in a converted barn belonging to English socialite and heiress Nancy Cunard (pictured), who counted Aldous Huxley and TS Eliot among her lovers. We drank Cahors late into the night until our teeth went black.

Article originally published in Decanter magazine