Showing posts with label Marrakesh. Show all posts
Showing posts with label Marrakesh. Show all posts

Saturday, 15 January 2011

Cigalon


With Christmas now a distant memory, we're midway through the bleakest month of the year – a time of abstinence, detoxes, pretoxes and rain. A time when our minds are permitted to wonder and dream of blue skies, as we trudge through the daily drizzle.

What better way then to escape the gray, than at Cigalon, a slice of sunny Provence in London's legal throbbing heart. Opening its doors on Chancery Lane late last November, the former auction house shares street space with the College of Law and King's College London, and is a heartbeat away from the Royal Courts of Justice. A strange setting for somewhere so serene, but the juxtaposition serves to heighten the sense of escape.

Entering Cigalon's ethereal white space you feel truly transported, to a land of light and lavender, of cloudless climes and star anise. From the Tomette tiles paving the entrance and the white shuttered doors, to the high mirrors, lilac honeycomb trellising, and cicadas trilling through the speakers, the environment is almost a trompe l'oiel trick to fool you into thinking you're in Southern France. And I'm all for the illusion. It reminds me of the restaurants in Morocco, when, at the opening of a door, you can escape the snake charmers, tooth pullers and soothsayers of Marrakech's mad main square, and enter into the walled, fountain-filled, rose petal strewn bliss of a palatial pleasure dome.

I digress. Bypassing the City suits, my guest and I are seated in a plush lilac booth velveteen to the touch. Above us is a glass-domed ceiling, from which hang curious, white, birdcage-like fixtures filled with foliage. Our helpful waiter, sporting a fetching pair of lilac braces and a mauve tie, informs us that the restaurant is named after a 1935 film by Marcel Pagnol about a Provençal chef with delusions of grandeur. A Pagnol cocktail dutifully appears in a wide circular receptacle not unlike the Champagne glasses famously modeled on Marie Antoinette's breasts. Candy floss pink, it contains lychee, St Germain elderflower liqueur, pastis, vodka and cranberry, finished with a sprig of rosemary. Smooth, sharp and refreshing, it proves a delightful way to begin.

We continue with chunks of peasant bread dipped in olive oil and lashings of salty tapenade. Reading through the menu, I'm surprised at how sparse it is – just six starters, five mains and four specials. Simplicity seems to be key, with head chef Julien Carlon (of Comptoir Gascon fame) striving for authentic Provençal fare. I opt for the braised beef cannelloni in a red wine and bone marrow sauce to start, and am impressed by its tender, melt-in-the-mouth texture, paired with the rich, almost balsamic-like sauce. My companion's polenta with wild mushrooms and rocket is anything but boring – creamy and pleasantly grainy, it marries well with the earthy mushrooms and peppery rocket.

The main event is slightly more hit and miss. Not quite brave enough to order the lamb tripes and trotter stew, the waiter suggests the salt cod in a vegetable broth with aioli. It arrives Colgate white on a silver platter, atop a liferaft of vegetables in a sea of broth. The cod is well cooked, and made more interesting by the aioli, but I'm left deflated by the dish. My guest's rib of veal in Mentonaise sauce (a lemon and black olive dressing) provides more excitement. Perfectly pink, the veal sings with citrus, while the accompanying peppery chickpea fritters are fluffy and fun. The highlight is the unassuming black olive mash. Soft, creamy and comforting, I find myself scraping the bowl and craving for more.

The wine list is impressively weighted towards Provence – the first wine region in France to be cultivated – with cameos from Corsica. We're poured a biodynamic Viognier, L'Analepse, from Domaine Les Terres Promises. Having dined at Brawn the night before, I'm beginning to detect a thread weaving through natural wines. They're wonderfully unpredictable and frustratingly fickle. Deeply golden in colour, it neither smells nor tastes like a Viognier, but more like a slightly fizzy Fino, with oxidized aromas and a savoury finish.

And so to pudding - my moist cheese and lemon cake is lifted by the accompanying blackberry and lavender sorbet, while my guest's aniseed bitter chocolate tart arrives on a black slate next to a swash of goat's cheese curd. The rich chocolate paired with the salty curd makes for a curious, almost Heston-like combination of sweet and savory.

After adorable mini madeleines and mint tea, my companion and I retire to the Baranis bar below, which comes complete with an indoor petanque course. The subterranean space is all exposed brickwork, Pernod posters and stripy topped waiters, one of which whips up a Castaña cocktail for us - a creamy, chestnut concoction that sends us happily back into the rainy January night, after a blissful few hours cocooned in the lavender-scented bosom of Provence.

Cigalon 115 Chancery Lane, London WC2A 1PP, Tel: +44(0)20 7242 8373. A meal for two with wine, water and service costs around £100.

Sunday, 24 October 2010

El Cantara Soho


It's a crisp autumn evening and I'm out on the shisha terrace of the newly launched Spanish /Moroccan restaurant El Cantara Soho. The small outdoor space is effortlessly cool, and feels more SoHo New York than Soho London.

As I puff away willfully on my watermelon-flavoured shisha pipe, making patterns in the air from the resulting smoke, a woman emerges wearing a yellow snake and very little else.

The five-year-old snake – as long as the length of the smoking den – is called Sheba. 'She doesn't prey on humans', her owner assures me, as Sheba's head darts towards mine, her black, unblinking eyes fixed forward. I stroke her surprisingly soft yellow skin. Detecting some sort of bond forming, Sheba's owner impulsively wraps the snake around my shoulders. I'm terrified. Luckily, she only accessorizes my dress for a moment, before taking residence on other revelers' shoulders.

Inside I'm offered the house cocktail - Champagne and rose water, with a tiny chunk of pink Turkish delight at the bottom. The Moorish interiors are part Andalucían tea house, part Marrakesh harem. The small, arched, basement space is decorated with lanterns and paintings of flamenco dancers and bull fighters. When placed side by side, I'm struck by how similar their movements are.

Upstairs, the restaurant is heaving. Huge silver trays of chorizo, lamb kofte and pigeon pastilla are passed round, before a banquet of paella, and lamb tagine with cinnamon cous cous. Amidst the throng, a belly dancer emerges, nonchalantly twirling a pair of fire sticks. I scramble out of singeing distance and for a minute I'm mesmerized.

In the far corner a brunette couple are in full flamenco flow – she clicking furiously on castenets, he making dramatic sweeps with an invisible cape. A crowd forms around them and starts clapping in time to the wailing woman keeping the tune. I head back up to the terrace for another go of the shisha pipe. The evening is winding down, so I switch to mint tea and sticky baclava. El Cantara Soho, with its fusing of Moroccan and Spanish cuisines, seems a logical step for London, which is now, undoubtedly, the most cosmopolitan city in the world.