Showing posts with label Ferran Adria. Show all posts
Showing posts with label Ferran Adria. Show all posts

Thursday, 9 August 2012

El Bulli to auction cellar at Sotheby’s


Gastronomes around the world wept in 2010 on hearing the news that Spanish pleasure dome El Bulli – voted the world’s best restaurant four years in a row – was to close its doors for good in 2011. Now comes the news via Wine-Searcher that the restaurant is to sell off its 10,000-bottle wine cellar at a Sotheby’s auction, though the auction house is remaining tight-lipped about details of the auction until further notice.

The three Michelin-starred restaurant near the town of roses, 160km north of Barcelona, closed its doors last July, having operated at a loss since 2000. It is set to re-open in 2014 as a culinary think tank, where former head chef Ferran Adrià, 50, will investigate and develop new cooking techniques.

The 139-page, 1,600-bin list features wines from classic regions like Bordeaux, Burgundy and Piedmont, alongside cult Californian wines, rare Sherries and Spanish icon wines such as L’Ermita, Pingus, and Vega Sicilia Unico. Compiled by Adrià's business partner Juli Soler, wines ranged in price from €21.40 to €5,350 for Domaine de la Romanée-Conti Romanée-Conti 1999. Pétrus 2000 was also on the list for €3,745 a bottle. 

Voted the best restaurant in the world by Restaurant magazine a record five times, El Bulli pushed the boundaries of contemporary cuisine for more than two decades with its off-the-wall dishes created using molecular gastronomy. Though its popularity came at a cost. With staff fielding more than two million reservation requests a year, the public pressures of running a restaurant influenced Adrià’s decision to close.

“When people bring up the issue of reservations, I have to give some kind of explanation. We created a monster and it was time to find a way to tame it,” he said on announcing the restaurant’s closure. The El Bulli Foundation will grant 20-25 scholarships annually for chefs to spend a year working with Adrià on new creations, the results of which results will be posted online.

Tuesday, 2 November 2010

Colman Andrews interview


Wine and the City catches up with American food writer Colman Andrews on a recent trip to London, to find out about his new book; Ferran Adrià: The Man Who Changed The Way We Eat, that traces the journey of the renowned El Bulli chef from dishwasher to culinary demigod. So was there a eureka moment for Adrià? Watch the video and find out...

Wednesday, 27 October 2010

Ferran Adria interview

Wine and the City caught up with renowned Catalan chef Ferran Adrià on Monday while he was in London to promote his new biography by American food writer Colman Andrews. In the interview, Adrià opens up about the pressures of being a commercial chef, and his plans for El Bulli when it reopens in 2014 as a foundation for gastronomic creativity. Watch it here...

Saturday, 2 October 2010

Camino Puerto del Canario


It's a chilly late September evening and I'm at London Bridge City Pier about to board the Thames Clipper to Canary Wharf. Only this is no ordinary ship - it's a Sherry ferry.

To celebrate the launch of Camino Puerto del Canario, sister restaurant to Camino King's Cross, showman owner Richard Bigg has rounded up a troop of willing guinea pigs to be transported to the venue by boat.

We're given the signal to board, and our uproarious group, made up of wine hacks, food bloggers and the odd chancer or two besieges the boat, scrambling excitedly for window seats. As I pace to the front, I'm handed a large glass, which is promptly filled with a generous slug of Tio Pepe Fino.

Having secured a window seat, the Sherry ferry chugs into action and I'm treated to epic views of the Thames by night. As I sip my Sherry and nibble on a slither of Manchego, Tower Bridge comes into view. I would never typically consider taking the boat to work in the morning, but it's a magnificent way to see the city. And drinking Sherry on public transport feels deliciously decadent - one in the eye for Boris.

My glass is topped up and I soon spy the flashing lights of One Canada Square, where I once did work experience at the Daily Telegraph. Barely have we set sail and we're already at our destination. I'm slightly disappointed at the Sherry ferry's efficiency, as I was hoping for a longer voyage, but there's no time to think as we're ushered off and told to leave our glasses on deck. Most are empty. Back on dry land the Tio Pepe has gone to my head. I'm blaming the boat.

Before we even make it inside we're served Cava in old-fashioned flat Champagne glasses. It seems like Mr Bigg is on a mission to get us intoxicated. The venue is seconds from the boat stop, on the water's edge. Looking across the river, bright lights flicker against the black backdrop. The city seems pregnant with promise, and I get the feeling that I'm part of something big, as if stepping back from the city allows you to see it properly for the first time. This could be the Cava talking.

Soon I'm inside and being given a tour of the kitchens. Plates of pata negra ham do the rounds, and I grab a handful to munch on. The Sherry ferry has whetted my appetite and we're not sitting down to eat until the very Spanish hour of 9. The restaurant has an industrial feel– set in a large square space with open brickwork and wooden floors, the bar and restaurant are divided by cage-like barriers. It doesn't feel as cosy as Camino King's Cross, but I don't think it's supposed to.

I have a quick sip of Ferran Adria's home brew: Inedit, which tastes like honey and lemon Lockets, then it's time to sit down to eat. And boy did we eat: a 16-course Spanish banquet including stuffed figs, octopus tentacle, black rice with cuttlefish, Ibérico black pig shoulder blade, and the apogee: Scottish rib-eye steak cooked on a charcoal grill from Bilbao then rubbed with rock salt. Rare, tender and ridiculously juicy, it was a seriously sexy slice of meat.

The wines on the night also delighted, from the Valdeorras based Bodegas Valdesil Godello 2007 - fresh, crisp, textured, complex and elegant; a Godello worth waiting for, to the Viñas del Vero Pinot Noir 2008, with Burgundian notes of cherry, raspberry and violet. Matched with the meat was a wine from Bigg's Big Guns list: Cillar de Silos Torre Sillo 2007 from Ribera del Duero. Opulent, rich, ripe and sweet, it's as close as you can get to drinking velvet. Other highlights of the Cañones Grandes list include Lopez de Heredia Viña Tondonia 1982, Vega Sicilia Unico 1999 and Alvaro Palacios Finca Dofi 2006.

From the quirky voyage on the Sherry ferry to the cracking open of the big guns, Richard Bigg certainly knows how to put on a show, and I'm sure his sister venue across the river will pull in hoards of hispanophile punters. The Big Guns list should certainly prove a draw for high rolling city boys out to impress big cheese clients. With new outposts of Roka, Canteen and Wahaca also recently opened in Canary Wharf, the financial district is now firmly on the culinary map.

Tuesday, 27 October 2009

Molecular cocktails: it's all in the mix


Ferran Adrià started the hydrocollised  ball rolling, then Heston got in on the act and now mixologists are the latest to dust off their test tubes and try their hands at molecular gastronomy. 

For the month of October Hush bar in Bond Street are offering a six-strong molecular cocktail menu devised by a duo of not-so-mad scientists Pedro Solorzano and Boris Ivan - the Blumenthals of the cocktail world.

During our mixology masterclass they seem keen to point out that the secret behind creating the perfect molecular cocktail is getting the quantities spot on. Too much alocohol and the cocktails won't freeze, too little and you've got a mocktail. 'You have to take all the elements out of the cocktail, separate them and reintroduce them in a different way', says Solorzano. 'The key is to keep the elements separate by mixing them at the correct speed', adds Ivan. 

First up I learn how to make a Piña-Cavia-da (a Piña Colada festooned with tiny rum-filled caviar-like balls). A syringe is thrust into my hand and I'm handed a white tub full of calcium chloride flakes. Flashbacks to grammar school chemistry lessons and the nightmare that is the periodic table ensue. I mix 1 1/2 spoons of the flakes into a glass of water and give it a good stir while filling my syringe with a sweet gloopy mixture of rum, apple juice and sodium. 

I then syringe drops of the rum mixture into the 'calcium bath', which makes the rum emulsify into tiny hydrocollised balls. A full syringe only gives you a teaspoon of balls - molecular cocktails are an intricate art and demand extreme patience on the part of the maker.

Pedro whips out a tub of pineapple and coconut sorbet from the fridge and spoons it into a martini glass, sprinkling it with the hydrocollised rum. It's not something you can really drink, more an alternative pudding. I plunge my spoon in, making sure I get a good dose of the rum caviar. It's hideously sweet, but the balls do taste of the Element 8 rum they were made with.

I also try my hand at the Caipiroli (a Caiprini shaped like ravioli), made from a mixture of rum, lime juice, syrup, green food colouring and sodium alginate. Dipped in the calcium bath, the mint green mixture is frozen for 10 minutes in a square mould. It's much stonger than the Piña-Cavia-da, and considerably more appealing to the tastebuds, especially when paired with the suggested green apple slices. 

Another molecular delight on the list is the B58 - a take on the B52 with the usual Baileys and Kahula and a shot of rum foam that explodes in the mouth. The glammest cocktail has to be the Element Fizz, a mix of Prosecco, rum and Grand Marnier caviar that floats ebulliently round the glass chasing the bubbles.

'We're off to Spain tomorrow to showcase the cocktails in Barcelona', Boris informs me, as he dips into the fridge and brings out his latest experiment – strawberry beer sorbet. 'We're planning on pouring it into the beer bottles and serving it like that. I want to bring all the elements of the kitchen back into the bar. The bar is the new kitchen'.